Home
/
Non-Fiction
/
The Sinner and the Saint
The Sinner and the Saint
Oct 5, 2024 6:53 PM

Author:Kevin Birmingham

The Sinner and the Saint

The incredible true story behind the creation of a masterpiece of world literature, Fyodor Dostoevsky's Crime and Punishment

'A dazzling literary detective story' Guardian

In the summer of 1865, the former exile Dostoevsky found himself trapped in a cheap hotel in Wiesbaden, unable to leave until he'd paid the bill. Having lost the last of his money at the roulette table, his debts hung heavy over his head, his epileptic seizures were worsening, and his wife and beloved brother were dead. Desperate, a story came to him, a way to write himself out of his predicament: the murderer Raskolnikov, the hot, disorienting swirl of St Petersburg, the axe, the terrible crime, and the murderer's paranoia. The book was Crime and Punishment, and from the moment it was published it was a sensation. But how did this haunting tale of guilt come to be, and why does it still hold such a sway over us all these years later?

The Sinner and the Saint gives us the story of the creation of a work of literature that has bewitched readers for over a century, and of the two men so central to it: Dostoevsky himself, and Pierre François Lacenaire, a notorious murderer and glamorous egoist who charmed and outraged Paris in the 1830s and whose sensational story provided the germ of the novel. As reports of his trial tore through Europe, readers asked themselves: could the instincts of nihilism, the philosophy inspiring a new generation of Russian revolutionaries, also drive a man to murder? Showing how both men's lives were directed by the intoxicating new ideas swirling around Europe in the nineteenth century, The Sinner and the Saint also reveals why they still appal and entice us today. Thrilling and definitive, this is the story of a masterpiece.

Reviews

I never imagined anyone could make Dostoevsky richer--deeper--knottier--than he already was. But by revealing the secret background behind Crime and Punishment, Kevin Birmingham reveals a depth of thought and feeling that makes this most shocking of novels even more shocking yet. After all, it's easy enough to say what makes a murderer bad. It's far harder to say what makes him good.

—— Benjamin Moser

Birmingham's impressive research combined with a flair for characterising the teeming intellectual debates of the day give absorbing insights into the origins of one of the world's great novels.

—— Sue Prideaux

A page turner about turning pages, The Sinner and the Saint: Dostoevsky and the Gentleman Murderer Who Inspired A Masterpiece not only brings us back into the fevered panic of Raskolnikov as he murders an old woman, his motives a mystery even to his own sputtering mind, but also to real-life characters, most vividly a Parisian dandy (we might now call him 'gay'), whose nihilism and thrill killings set Dostoevsky's imagination ticking. Compulsively readable, tautly drawn, and richly researched, here is the brilliant study Dostoevsky and his staggering Crime and Punishment-filled, we now find, with intimations of him-so deserves

—— Brad Gooch, New York Times Bestselling author of Flannery: A Life of Flannery O’Connor

Dostoevsky didn't have any choice about misery-the Siberian exile and the epilepsy, the despair and debts and the deaths of those he loved. All that just fell upon him, and none of us would want to be him, not even for the sake of those books. But wanting to know what it was like to be him-well, that's different, and I can't imagine a better guide than Kevin Birmingham. Dostoevsky was both sinner and saint, and this wonderfully pungent book presents his extraordinary life in the most vivid detail imaginable. Birmingham puts you in the room when Raskolnikov brings down the axe; and he puts you there too when the novelist discovers the face of redemptive love.

—— Michael Gorra, author of The Saddest Words: William Faulkner’s Civil War

With The Sinner and the Saint, Kevin Birmingham has scored a hat trick, delivering three biographies in one book-expertly chronicling the lives of the man who wrote Crime and Punishment and the murderer who inspired the tale, and the fascinating evolution of the novel itself. Birmingham's ingenious braided narrative offers an inspired new reading to those who already know and love Dostoevsky's masterpiece, and serves as an indispensable guide for first time readers.

—— Megan Marshall, Pulitzer Prize-winning author of Margaret Fuller: A New American Life and Elizabeth Bishop: A Miracle for Breakfast

The Sinner and the Saint is a gripping murder mystery - a dazzling literary "howdunnit" that meticulously reconstructs the political ferment that inspired Dostoevsky's most famous novel. At the heart of it all is Raskolnikov's real-life double, a charming gentleman murderer whose trial set Parisian society ablaze.

—— Alex Christofi, author of Dostoevsky in Love

An absorbing, thickly textured biography of Crime and Punishment that develops through fragments and shards... Kevin Birmingham has written a bold and rewarding book that will allow readers, whatever their own predispositions, to return to Dostoevsky's first masterpiece with a renewed and more capacious perspective.

—— Oliver Ready , Literary Review

[an] inspired account of the genesis-philosophical and neurological-of Crime and Punishment...Birmingham is superb, in The Sinner and the Saint, on the intellectual environment, the vibrational stew

—— James Parker , The Atlantic

[an] excellent biographical study... In pungent, well-researched pages, Birmingham reveals the "secret" background behind Dostoevsky's great murder novel ... a model of luminous exposition and literary detection, The Sinner and the Saint can be recommended to anyone interested in the dark twisted genius of "Dusty", as Nabokov (with a touch of mockery) nicknamed the ill-fated Russian maestro.

—— Ian Thomson , The Observer

Birmingham has alchemized scholarship into a magisterially immersive, novelistic account of the author's life... Birmingham's book sometimes improves on even fiction like J. M. Coetzee's Dostoyevsky novel... The Sinner and the Saint is a magnificent and fitting tribute.

—— Boris Fishman , The New York Times

Meticulously piecing together the debates that fired Dostoevsky's imagination, The Sinner and the Saint is filled with arresting details that bring the turbulence of the 1860s to life...The Sinner and the Saint is not just a fitting tribute to one of the great works of world literature, but a dazzling literary detective story in its own right.

—— Guardian, Book of the Day

Not everything that was false was fake, a theme that runs through Time's Witness, pushing us to think differently about the past, challenging our expectations of how that past should be recorded and interpreted and, above all, placing the Romantic sensibility and its embracing of subjectivity and imaginative reconstruction at the heart of historical enquiry.

—— Adrian Tinniswood , History Today

in the best Romantic antiquarian tradition, the book is an engaging and densely detailed scholarly tome that reads a bit like a love letter, or at least an expression of infectious intellectual enthusiasm. Throughout Time's Witness, 'history' becomes visible as a succession of ideas and theories about the past that are continuously overlaid and revised in an ongoing process of exchange and accumulation.

—— Sarah Watling , Literary Review

A wonderful memoir. . . a uniquely engaging and illuminating account of a young life during a period of intense turmoil. So readable, yet Ypi does not sacrifice profound observations about politics and culture. Detailing the absurdities of the regime from a child's perspective, she pulls off the remarkable feat of emphasizing their cruelty with a light and often humorous touch

—— Misha Glenny , TLS

Fantastically engaging. . . A breakout book. . . Such an engrossing story that it is (almost) unsurprising that it is already being translated into eleven languages. If a film follows, don't be surprised

—— Tim Judah , Financial Times

Five stars. . . deserves to be added to the history curriculum

—— Daily Telegraph

Lea Ypi's experiences inspire a moving and profound reflection on the nature of freedom that avoids either liberal triumphalism or Stalinist nostalgia. She is most concerned with the futures that were lost in between

—— George Eaton, , The New Statesman

With its delicious sour-sweet comedy and pages of precise observation, Free opens a window on to one of the most bleakly isolationist regimes in human history

—— Ian Thomson, , Spectator

Free is a rare and nuanced glimpse into the history of Albania, offering the personal perspective of a childhood spent in the shadow of an oppressive regime, and the long and turbulent transition that came after

—— Geographical, Books of the Year

A really fascinating and wonderful book, and beautifully written too. Not many writers could have pulled this off with such grace and elegance. You won't regret buying this one, for sure

—— Nigel Warburton , Five Books, Best Philosophy Books of 2021

Ypi excels at describing the fall and aftermath of Albanian communism from the perspective of her childhood . . . rich and remarkable

—— Literary Review

Essential reading. Lea Ypi's gorgeously written text - part memoir, part bildungsroman - tells a very personal story of socialism and postsocialism. Poignant and timely

—— Kristen Ghodsee , Jacobin

Vital . . . an extraordinary memoir of social upheaval and historical change in 1990s Albania

—— Huck

A powerful and thought provoking memoir . . . wonderfully human, it is a story of missed opportunities, disillusionment and hope that ultimately invites readers to ask themselves what it means to be free

—— Katja Hoyer , History Today

This vivid rendering of life amid cultural collapse is nothing short of a masterpiece

—— Publishers Weekly

Remarkable and highly original . . . Both an affecting coming-of-age story and a first-hand meditation on the politics of freedom

—— Caroline Sanderson , Editor’s Choice, Bookseller

A probing personal history, poignant and moving. A young life unfolding amidst great historical change - ideology, war, loss, uncertainty. This is history brought memorably and powerfully to life

—— Tara Westover, author of Educated

Unique, insightful, and often hilarious. . . Albania on the cusp of change, chaos and civil war is the setting for the best memoir to emerge from the Balkans in decades

—— Craig Turp-Balazs , Emerging Europe

A lyrical memoir, of deep and affecting power, of the sweet smell of humanity mingled with flesh, blood and hope

—— Philippe Sands, author of East West Street

Free is astonishing. Lea Ypi has a natural gift for storytelling. It brims with life, warmth, and texture, as well as her keen intelligence. A gripping, often hilarious, poignant, psychologically acute masterpiece and the best book I've read so far this year

—— Olivia Sudjic, author of Asylum Road

Lea Ypi's teenage journey through the endtimes of Albanian communism tells a universal story: ours is an age of collapsed illusions for many generations. Written by one of Europe's foremost left-wing thinkers, this is an unmissable book for anyone engaged in the politics of resistance

—— Paul Mason, author of Postcapitalism

This extraordinary coming-of-age story is like an Albanian Educated but it is so much more than that. It beautifully brings together the personal and the political to create an unforgettable account of oppression, freedom and what it means to acquire knowledge about the world. Funny, moving but also deadly serious, this book will be read for years to come

—— David Runciman, author of How Democracy Ends

A new classic that bursts out of the global silence of Albania to tell us human truths about the politics of the past hundred years. . . It unfolds with revelation after revelation - both familial and national - as if written by a master novelist. As if it were, say, a novella by Tolstoy. That this very serious book is so much fun to read is a compliment to its graceful, witty, honest writer. A literary triumph

—— Amy Wilentz, author of Farewell, Fred Voodoo

Illuminating and subversive, Free asks us to consider what happens to our ideals when they come into contact with imperfect places and people and what can be salvaged from the wreckage of the past

—— Azar Nafisi, author of Reading Lolita in Tehran

A young girl grows up in a repressive Communist state, where public certainties are happily accepted and private truths are hidden; as that world falls away, she has to make her own sense of life, based on conflicting advice, fragments of information and, above all, her own stubborn curiosity. Thought-provoking, deliciously funny, poignant, sharply observed and beautifully written, this is a childhood memoir like very few others -- a really marvellous book

—— Noel Malcolm, author of Agents of Empire

Free is one of those very rare books that shows how history shapes people's lives and their politics. Lea Ypi is such a brilliant, powerful writer that her story becomes your story

—— Ivan Krastev, author of The Light that Failed

Lea Ypi is a pathbreaking philosopher who is also becoming one of the most important public thinkers of our time. Here she draws on her unique historical experience to shed new light on the questions of freedom that matter to all of us. This extraordinary book is both personally moving and politically revolutionary. If we take its lessons to heart, it can help to set us free

—— Martin Hägglund, author of This Life

I haven't in many years read a memoir from this part of the world as warmly inviting as this one. Written by an intellectual with story-telling gifts, Free makes life on the ground in Albania vivid and immediate

—— Vivian Gornick, author of Unfinished Business

Lea Ypi has a wonderful gift for showing and not telling. In Free she demonstrates with humour, humanity and a sometimes painful honesty, how political communities without human rights will always end in cruelty. True freedom must be from both oppression and neglect

—— Shami Chakrabarti, author of On Liberty

A funny and fascinating memoir

—— White Review, Books of the Year

A rightly acclaimed account of loss of innocence in Albania from a master of subtext . . . Precise, acute, often funny and always accessible

—— The Irish Times

A remarkable story, stunningly told

—— Emma Duncan , The Times

A vivid portrayal of how it felt to live through the transition from socialism to capitalism, Ypi's book will interest readers wishing to learn more about Albania during this tumultuous historical period, but also anyone interested in questioning the taken-for-granted ideological assumptions that underpin all societies and shape quotidian experiences in often imperceptible ways

—— Hannah Proctor , Red Pepper

A classic, moving coming-of-age story. . . Ypi is a beautiful writer and a serious political thinker, and in just a couple hundred readable pages, she takes turns between being bitingly, if darkly, funny (she skewers Stalinism and the World Bank with equal deadpan) and truly profound

—— New York Times

Beguiling. . . the most probing memoir yet produced of the undefined 'transition' period after European communism. More profoundly a primer on how to live when old verities turn to dust. Ypi has written a brilliant personal history of disorientation, of what happens when the guardrails of everyday life suddenly fall away. . . Reading Free today is not so much a flashback to the Cold War as a glimpse of every society's possible pathway, a postcard from the future

—— Charles King , Washington Post
Comments
Welcome to zzdbook comments! Please keep conversations courteous and on-topic. To fosterproductive and respectful conversations, you may see comments from our Community Managers.
Sign up to post
Sort by
Show More Comments
Copyright 2023-2024 - www.zzdbook.com All Rights Reserved