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The Spy who was left out in the Cold
The Spy who was left out in the Cold
Oct 10, 2024 10:26 AM

Author:Tim Tate

The Spy who was left out in the Cold

Spring 1958: a mysterious individual believed to be high up in the Polish secret service began passing Soviet secretsto the West.

His name was Michal Goleniewski and he remains one of the most important, yet least known and most misunderstood spies of the Cold War. Even his death is shrouded in mystery and he has been written out of the history of Cold War espionage - until now.

Tim Tate draws on a wealth of previously-unpublished primary source documents to tell the dramatic true story of the best spy the west ever lost - of how Goleniewski exposed hundreds of KGB agents operating undercover in the West; from George Blake and the 'Portland Spy Ring', to a senior Swedish Air Force and NATO officer and a traitor inside the Israeli government. The information he produced devastated intelligence services on both sides of the Iron Curtain.

Bringing together love and loyalty, courage and treachery, betrayal, greed and, ultimately, insanity, here is the extraordinary true story of one of the most significant but little known spies of the Cold War.

Acclaim for The Spy Who Was Left Out in the Cold:

'Totally gripping . . . a masterpiece. Tate lifts the lid on one of the most important and complex spies of the Cold War, who passed secrets to the West and finally unmasked traitor George Blake.'

HELEN FRY, author of MI9: A History of the Secret Service for Escape and Evasion in World War Two

'A wonderful and at times mind-boggling account of a bizarre and almost forgotten spy - right up to the time when he's living undercover in Queens, New York and claiming to be the last of the Romanoffs.'

SIMON KUPER, author of The Happy Traitor

'A highly readable and thoroughly researched account of one of the Cold War's most intriguing and tragic spy stories.' OWEN MATTHEWS, author of An Impeccable Spy

Reviews

The larger than life story of one of the West's most productive Cold War counter-intelligence agents - a man who to the CIA's embarrassment turned out also to be a bigamist and a romancer who claimed publicly to be the last descendent of the Russian Czar and heir to his fortune. A made for Hollywood page turner, it's a fascinating read and highly recommended.

—— SIR DAVID OMAND, author of How Spies Think: Ten Lessons in Intelligence

Totally gripping . . . a masterpiece. Tate lifts the lid on one of the most important and complex spies of the Cold War, who passed secrets to the West and finally unmasked traitor George Blake.

—— HELEN FRY, author of MI9: A History of the Secret Service for Escape and Evasion in World War Two

A brilliant and gripping exploration of one of the last great espionage enigmas of the twentieth century. Unputdownable.

—— TREVOR BARNES, author of Dead Doubles

A wonderful and at times mind-boggling account of a bizarre and almost forgotten spy - right up to the time when he's living undercover in Queens, New York and claiming to be the last of the Romanoffs.

—— SIMON KUPER, author of The Happy Traitor

A highly readable and thoroughly researched account of one of the Cold War's most intriguing and tragic spy stories.

—— OWEN MATTHEWS, author of An Impeccable Spy

A dark history of nostalgia... a timely book... Woods selects and deploys her material well, persuading the reader, in the course of an enjoyable book, that a feeling full of sweetness and sadness is also a dark and dangerous force

—— The Times

Woods is a sharp, iconoclastic writer... A great book

—— John Harris, The Guardian, Politics Weekly UK’s summer reading list

Eye-opening and thoughtful... Woods has a bright future ahead of her

—— The Telegraph

A must read for anyone wanting to see current events and ideologies in light of the past, and understand where the roots of our sense of a nation originated

—— Janina Ramirez, bestselling author of Femina

Fascinating and timely, Rule, Nostalgia is an eye-opening history of Britain's enduring fixation with its own past

—— Jeremy Paxman

I heartily recommend Rule, Nostalgia. [It] helps explain where we are, as well as where we came from

—— Dan Jones, bestselling author of Powers and Thrones

I love this book, a witty, acerbic but warm look at how our national character is built on yearning for a glorious past that is just gone, and actually probably never existed. Nostalgia ain't what it used to be

—— Adam Rutherford, bestselling author of How to Argue With a Racist

Our national story is so much stranger than we think: this book brilliantly insists that we look at it afresh

—— James Hawes, bestselling author of The Shortest History of England

Well-argued, timely and hugely entertaining. A great piece of popular history

—— Jonathan Coe, bestselling author of Middle England

A great, scholarly history, and so searingly relevant

—— Dan Snow, author of On This Day in History

An utterly eye-opening and enthralling debut, clearly laying out our uniquely British obsession with nostalgia. Required reading for anyone who wants to use the term 'culture war'... I absolutely loved it

—— Fern Riddell, author of Death in Ten Minutes: The forgotten life of radical suffragette Kitty Marion

A smart, entertaining and meticulously researched backwards look (quite literally) at Britain's history of looking over its shoulder. Deconstructs the lure of the fictitious 'good old days' and how they have been weaponised throughout history. Excellent

—— Otto English, author of Fake History

Outstanding. A thrilling, elegant and highly original interrogation of how we use our pasts

—— Musa Okwonga, author of One of Them: An Eton College Memoir

Nostalgia was once considered a terminal condition. Hannah Woods suggests that the culture needs to book itself in for a check-up. Provocative and well-argued, Rule, Nostalgia offers the diagnosis that might lead us to a cure

—— Matthew Sweet, author of Inventing the Victorians

A triumphal backwards tour through the history of Britain's relationship with its own past. This funny, sad, wise and brilliantly informative book is a crash course in the many pasts that have made our presents

—— Peter Mitchell, author of Imperial Nostalgia: How the British Conquered Themselves

Rule, Nostalgia is radiant with an enthusiast's passion for their subject, and makes a convincing case that Britain's history is sufficiently weird, fascinating and marvellous, without rewriting it into comforting fables

—— The New Humanist

Rule, Nostalgia is a triumphal backwards tour through the history of Britain's relationship with its own past, a chronicle of our state of perpetual longing for a paradise just gone. Woods' eye is ironic, but never without sympathy as she teases apart the nested structures of mourning and nostalgia on which out national identity is built. This funny, sad, wise and brilliantly informative book is both a plea for historiographical literacy and a crash course in the many pasts that have made our presents

—— Peter Mitchell, author of Imperial Nostalgia: How the British Conquered Themselves

Bold and original, with a cool intelligence, and so very truthful about the colonialist structure of British society: how it has poisoned even our language, making its necessary dismantling almost the stuff of dreams. I take hope from Assembly, not just for our literature but also for our slow awakening

—— Diana Evans, author of 'Ordinary People'

Mind-bending and utterly original. It's like Thomas Bernhard in the key of Rachel Cusk but about black subjectivity

—— Brandon Taylor, author of 'Real Life'

Brilliantly sharp and curiously Alice-like... It centres on a gifted and driven young Black woman navigating a topsy-turvy and increasingly maddening modern Britain... Her indictment is forensic, clear, elegant, a prose-polished looking glass held up to her not-so-post-colonial nation. Only one puzzle remains unsolved: how a novel so slight can bear such weight

—— Times Literary Supplement

A piercing, cautionary tale about the costs of assimilating into a society still in denial about its colonial past. Brown writes with the deftness and insight of a poet

—— Mary Jean Chan, author of 'Flèche'

Bold, elegant, and all the more powerful for its brevity, Assembly captures the sickening weightlessness which a Black British woman, who has been obedient to and complicit with the capitalist system, experiences as she makes life-changing decisions under the pressure of the hegemony

—— Paul Mendez, author of 'Rainbow Milk'

This is a stunning achievement of compressed narrative and fearless articulation

—— Publisher's Weekly

One of the most talked-about debuts of the year . . . you'll read it in one sitting

—— Sunday Times Style

Thrilling... Brown gets straight to the point. With delivery as crisp and biting into an apple, she short-circuits expectation... This is [the narrator's] story, and she will tell it how she wishes, unpicking convention and form. Like The Drivers' Seat by Muriel Spark, it's thrilling to see a protagonist opting out and going her own way

—— Scotsman

A nuanced, form-redefining exploration on class, work, gender and race

—— Harper’s Bazaar

Across 100 lean pages, Brown deftly handles a gigantic literary heritage... Her style rivals the best contemporary modernists, like Eimear McBride and Rachel Cusk; innocuous or obscure on a first reading, punching on a second... Assembly is only the start

—— Daily Telegraph

There's something of Isherwood in Brown's spare, illuminating prose... A series of jagged-edged shards that when accumulated form an unhappy mirror in which modern Britain might examine itself

—— Literary Review

A debut novel as slender and deadly as an adder

—— Los Angeles Times

A razor-sharp debut... This powerful short novel suggests meaningful discussion of race is all but impossible if imperialism's historical violence remains taboo

—— Daily Mail

Bold, spare, agonisingly well-observed. An impressive debut

—— Tatler

Excoriating, unstoppable... The simplicity of the narrative allows complexity in the form: over barely a hundred pages, broken into prose fragments that have been assembled with both care and mercilessness

—— London Review of Books

Beguiling and beautifully written, this is the work of an author with a bright future

—— Tortoise

Coruscating originality, emotional potency, astonishing artistic vim... This signals the arrival of a truly breathtaking literary voice... A scintillating tour de force

—— Yorkshire Times

Fierce and accomplished, Assembly interrogates the high cost of surviving in a system designed to exclude you

—— Economist

I was blown away by Assembly, an astonishing book that forces us to see what's underpinning absolutely everything

—— Lauren Elkin, author of 'Flaneuse'

Coiled and charged, a small shockwave... Sometimes you come across a short novel of such compressed intensity that you wonder why anyone would bother reading longer narratives... [Assembly] casts a huge shadow

—— MoneyControl

A masterwork . . . it contains centuries of wisdom, aesthetic experimentation and history. Brown handles her debut with a surgeon's control and a musician's sensitivity to sound

—— Tess Gunty , Guardian

An extraordinary book, and a compelling read that had me not only gripped but immediately determined to listen again... Highly recommended

—— Financial Times on 'Assembly' in audiobook

'As utterly, urgently brilliant as everyone has said. A needle driven directly into the sclerotic heart of contemporary Britain. Beautiful proof that you don't need to write a long book, just a good book'

—— Rebecca Tamas, author of 'Witch'

Every line of this electrifying debut novel pulses with canny social critique

—— Oprah Daily

Devastatingly eloquent, bold, poignant

—— Shelf Awareness

An achievement that will leave you wondering just how it's possible that this is only the author's very first work... Brown packs so much commentary and insight inside of every single sentence... Original and startling all at once. After reading Assembly, I cannot wait to see what Natasha Brown does next

—— Shondaland

[Brown's] work is like that of an excellent photographer - you feel like you are finally seeing the world sharply and without the common filters. That is hypnotising

—— Rowan Hisayo Buchanan , Guardian

A brilliantly compressed, existentially daring study of a high-flying Black woman negotiating the British establishment

—— Guardian, 'Best Fiction of 2021' , Justine Jordan
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