Patterson knows where our deepest fears are buried... there's no stopping his imagination.

No one gets this big without natural storytelling talent - which is what Jim has, in spades.

Patterson boils a scene down to a single, telling detail, the element that defines a character or moves a plot along. It's what fires off the movie projector in the reader's mind.

James Patterson is the boss. End of.

James Patterson is the gold standard by which all others are judged.

Patterson is in a class by himself.

James Patterson is the gold standard by which all others are judged

Patterson is in a class by himself

Horowitz shows that he knows the Fleming books backwards, offering plot twists that are homages to the master's novels. This nicely imagined book... is an amusing and thought-provoking addition to the post-Fleming bond canon.

[Horowitz's Bond] is once again in safe hands, not departing much from Fleming’s entertaining formula... Horowitz’s light touch and smooth plotting create something close to the ideal holiday read.

An enjoyably compact thriller, with an absolutely killer last line.

Forever and a Day is an explosive prequel to Casino Royale which promises to please Bond aficionados and a new legion of fans.

This is another great new James Bond novel from Horowitz, who’s filling the shoes of Ian Fleming with apparent ease.

Highly enjoyable.

Anthony is an enthusiastic writer who relishes the world of adventure he conveys.

A timeless Bond... has all the elements of a rollicking read.

Horowitz proves himself so adept at getting inside the iconic character, and Fleming’s writing style, that it’s difficult to see the join. Rip-roaringly recommended.

Horowitz…captures the mood, pace and style of Fleming very well… the story thunders along with action galore in the Bond tradition. It whets the appetite for the 25th Bond film.

A rattling good thriller from an undoubted master of the genre.

Exciting, atmospheric and with non-stop action.

Anthony Horowitz writes Bond in the style of Fleming... Total brain candy in the best possible fashion.

Authentic, exciting and shot through with a very Flemingesque ennui.

A clever and highly-satisfying espionage thriller... Horowitz nails precisely why Ian Fleming's novels were so popular in the first place. Put simply, he gets James Bond.

Readers will love the way Horowitz stays loyal to the winning formula of Bond creator Ian Fleming, confronting an old enemy with new energy.

There seems an inexhaustible appetite for all things 007. One day, we might tire of him, but if his fictional incarnations remain as entertaining as With a Mind to Kill, we will be hoping that Bond doesn't hang up his Walther PPK for a while yet.

Masterly... There's an enjoyably mischievous tension between Bond, whose entire time in Russia is bleak...and Horowitz, who's plainly having a ball subjecting him to this ordeal.

A gloriously entertaining and surprisingly poignant novel that would make a better movie than many of the Bond stories that actually made it to the big screen.

A powerful puzzle of a murder mystery, as impossible to solve as it is to put down. What starts as a delicious thriller becomes a fascinating investigation of amorality, vengeance, and redemption. A powder keg of a debut.

Stick a bunch of devious psychopaths together and what could possibly go wrong? (...) a completely original, clever whodunit from a talented new arrival to the world of psychological suspense.

Sharp, original and extremely entertaining. The portrayal of psychopathy is nuanced and sensitive - something you don't see enough of in thriller fiction.

Truly original. Vera's main characters are believable and likeable, despite their nature. A very intriguing read.

'The Retreat is a delightfully creepy thriller set in a fantastic gothic location. I loved it!'