Author:Alexander Lee
Featuring the beauties of Michelangelo and Leonardo da Vinci, combined with the dark and hidden side of the Renaissance, by an acclaimed historian and expert in the period.
Renowned as an age of artistic rebirth, the Renaissance is cloaked with an aura of beauty and brilliance. But behindthe Mona Lisa’s smile lurked a seamy, vicious world of power politics, perversity and corruption that has more in common with the present day than anyone dares to admit. Enter a world of corrupt bankers, greedy politicians, sex-crazed priests, rampant disease, and lives of extravagance and excess. Enter the world of the ugly Renaissance.
Uncovering the hidden realities beneath the surface of the period’s best-known artworks, historian Alexander Lee takes the reader on a breathtaking and unexpected journey through the Italian past and shows that, far from being the product of high-minded ideals, the sublime monuments of the Renaissance were created by flawed and tormented artists who lived in an ever-expanding world of bigotry and hatred. The only question is: will you ever see the Renaissance in quite the same way again?
Fascinating … explores the dualities of creative brilliance and human baseness with a mastery of sources and a popular touch that vividly brings the whole period to life.
—— SpectatorEffortlessly combines scholarly depth with a highly accessible style.
—— New HumanistIn this lively decipherment, Alexander Lee explains what’s really going on [in Renaissance art].
—— IndependentA fittingly meticulous tribute to the world's fiddliest masterpiece
—— Ned Denny , Daily MailWell written, well documented, quite often serious but not too grave, allergic to over -imaginative fantasy but not immune to romantic pull of those colourful worsted threads on plain linen. Carola Hicks's book weaves its own spell
—— Peter Mandler , Times Literary SupplementA perceptive and sure-footed guide… Hicks tells her fascinating tale with deftest of touches
—— GuardianHicks' enchantment with the tapestry is compelling and her style confident and writerly
—— Daily TelegraphA beguiling study
—— Financial TimesRanging from Scorsese to soufflé Schama is a damn marvel
—— IndependentLively and provocative... This book is a delight
—— HeraldRichardson, a magisterial writer, brilliant critic and deliriously funny raconteur, is a unique, dazzling match for his subject
—— Financial TimesA colossal undertaking that has taken almost his whole life and will enrich yours forever
—— The Spectator[It] will be on many an art lover's Christmas list this year.
—— Mary Lussiana , Country & Town HouseFond and faintly disturbing.
—— Nicky Haslam , SpectatorA rattlingly readable effort... Greig does a fine job revealing tales one suspects the artist may have wished to keep private.
—— Alastair Smart , TelegraphAnybody with an ear for a good story, never mind an eye for fine art, will be beguiled.
—— Hephzibah Anderson , Mail on SundayGreig's fascinating, intimate biography of Lucian Freud was a revelation. Every question I had about Freud – from the aesthetic to the intrusively gossipy – was answered with great candour and judiciousness… Wry, dry and completely beguiling.
—— William Boyd , Guardian[Greig’s] perceptive observations and eagle’s eye for detail immediately drew me in.
—— Rebecca Wallersteiner , VantageThe Freud who emerges in this account is a slippery figure, not only for journalists who tried to explain him but also for his intimates.
—— New YorkerMr Greig's is a compelling portrait of a complete amoralist who became a monstre sacré.
—— The EconomistGreig’s portrait glimmers with his eye for the telling detail.
—— Robert Collins , Sunday TimesA mesmerising book, seamlessly crafted, totally absorbing, and impossible to put down.
—— The TabletA very readable and enjoyable book, full of salacious detail of the artist and his fascinating life.
—— Julia Weiner , Jewish ChronicleThis intimate biography of Lucian Freud spares no blushes in its account of one of Britain's greatest painters, tracing his life and work through candid revelations about his views on art, relationships and family.
—— Charlotte Mullins , Art QuarterlyBuilding up brush stroke by brush stroke, Greig has produced a three-dimensional study of equal candour. Part demon, part genius, it is an absorbing portrait of the complexity of a strange human character.
—— Peter Lewis , Daily MailAn unapologetic mixture of intelligent perception and high gossip... It is, overall, more revealing than anything about [Freud] yet written.
—— Frances Spalding , GuardianI am captivated by this fascinating memoir... It's an extraordinary read.
—— Barbara Taylor Bradford , Daily MailCandid and intelligent.
—— Spear'sA gripping, page-turning vision of Lucian Freud that penetrates deep into the artist's private life.
—— Sunday Times OnlineUtterly engrossing and lavishly illustrated
—— Mail on Sunday