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The Unsettling of Europe
The Unsettling of Europe
Oct 7, 2024 4:17 AM

Author:Peter Gatrell

The Unsettling of Europe

WINNER OF THE LAURA SHANNON PRIZE 2021 AND ITALY'S CHERASCO HISTORY PRIZE 2021

SHORTLISTED FOR THE LIONEL GELBER PRIZE 2020

A TIMES LITERARY SUPPLEMENT BOOK OF THE YEAR 2019

Migrants have stood at the heart of modern Europe's experience, whether trying to escape danger, to find a better life or as a result of deliberate policy, whether moving from the countryside to the city, or between countries, or from outside the continent altogether.

Peter Gatrell's powerful new book is the first to bring these stories together into one place. He creates a compelling narrative bracketed by two nightmarish periods: the great convulsions following the fall of the Third Reich and the mass attempts in the 2010s by migrants to cross the Mediterranean into Europe.

The Unsettling of Europe is a new history of the continent, charting the ever-changing arguments about the desirability or otherwise of migrants and their central role in Europe's post-1945 prosperity. Gatrell is as fascinating on the giant movements of millions (such as the epic waves of German migration) to that of much smaller groups, such as the Karelians, Armenians, Moluccans or Ugandan Asians. Above all he has written a book that makes the reader deeply aware of the many extraordinary journeys taken by countless individuals in pursuit of work, safety and dignity, all the time.

This is a landmark book on a subject that, decade by decade, will always haunt Europe.

'Peter Gatrell has produced a tour de force ... This important and timely work on one of the most challenging issues in modern Europe deserves to be widely read' Ian Kershaw

Reviews

Peter Gatrell has produced a tour de force ... This important and timely work on one of the most challenging issues in modern Europe deserves to be widely read.

—— Ian Kershaw

A meticulously researched and documented survey ... Gatrell's closely focused studies help us to see this set of issues as illuminating some much wider questions about the way we live now.

—— Rowan Williams , New Statesman

Excellent ... an absorbing and highly readable narrative that ought to be required reading for anyone concerned with modern migration, and not just in Europe either.

—— Richard Evans , BBC History

The Unsettling of Europe is a definitive book in which Peter Gatrell proves that 'what we used to have' is a chimerical idea ... A clearly written and essential history.

—— David Aaronovitch , The Times

A calmly humanist history ... Surprisingly, I was left feeling optimistic - by Gatrell's informed vision of an unstoppably interconnected world, unsettled, not by migration but by inequality, yet full of possibilities, provided we have the courage to own our history.

—— Kapka Kassabova , The Spectator

Gatrell's eye for detail and sensitivity make this a compelling account that challenges the "us" and "them" framing into which much discussion of migration is forced. Its great strength is that it treats the emotional and cultural aspects of the subject with as much respect as the historical facts and figures.

—— Daniel Trilling , The Guardian

The Unsettling of Europe is a positive and sympathetic book that seeks to rebalance the conversation. It is a bold, meticulously researched and frequently compelling account ... Readers are taken on a fascinating, albeit troubling journey through the moments and revolutions that shaped postwar Europe.

—— Matthew Goodwin , The Sunday Times

Gatrell's historical long view provides a valuable reminder of what Europe went through after 1945 ... These now-distant events have every right to a place in the history books, and Gatrell has done us a service in chronicling them so engagingly.

—— Paul Morland , Financial Times

Timely and ambitious ... Gatrell [offers a] nuanced and sympathetic treatment of the variety of the immigrant experience - and its impact on European societies.

—— Jonathan Portes , The Observer

The Unsettling of Europe is an immense achievement ... The range and the quality of scholarship are magnificent. But more than that, this is an optimistic and deeply humane book, qualities found all too rarely in our time.

—— Randall Hansen, Canada Research Chair in Global Migration, University of Toronto

With migration often characterized as a new and threatening 'crisis' in Europe, acclaimed historian Peter Gatrell recasts the history of postwar Europe as a history of migration ... This timely and must-read book offers valuable lessons from the past as well as new ways to understand just what is at stake in the debate over immigration today.

—— Erika Lee, author of The Making of Asian America

If you think the term 'medieval science' is a contradiction then you should read this hugely enlightening and important book

—— Jim Al-Khalili, Author of The World According to Physics

Like a fictional scientist cloning dinosaurs from wisps of DNA, Seb Falk takes barely surviving fragments of evidence about an almost forgotten astronomer in a storm-chilled, clifftop cell to conjure the vast, teeming world of scientific research, practice and invention in the late Middle Ages. Profoundly scholarly, wonderfully lucid and grippingly vivid, The Light Ages will awe the pedants and delight the public

—— Felipe Fernández-Armesto, author of Out of Our Minds

Seb Falk has framed a fascinating book around his personal quest to understand how scientific thinking flourished. The Light Ages reveals the intellectual sophistication that flourished against a backdrop of ritual and liturgy. It offers for most of us a novel perspective on a 'dark' historical era, and should fascinate a wide readership

—— Lord Martin Rees, author of On the Future

Long before the word 'scientist' was coined, John of Westwyk devised a precision instrument to explore the universe and our place in it. Falk recreates the schooling of this ordinary (if gadget-obsessed) medieval monk in loving detail. There's a world of science on every page

—— Nancy Marie Brown, author of The Abacus and the Cross

The freezing winter of 1962-63 finally thawed in early March and as if on cue British society and politics became molten and mobile. Those who lived through it will never forget it. Those who didn't, need to know about it. Juliet Nicolson is brilliant at recapturing mood, moment and character. It's as if the inhabitants of that extraordinary time have flung open the door and welcomed her in from the blizzard outside to tell her all. This book is a must

—— Peter Hennessy

I was absolutely enthralled from first page to last. It's truly remarkable, so well written, and the scope of her research is extraordinary. I particularly admire the way she entwines her own family's experience with what was going on at the time - a very vivid, accurate and perceptive portrayal of the period at all social, political and cultural levels

—— Selina Hastings

I loved this beautifully written account of one icy winter during the 1960s in which familiar stories of pop music and politics surprised me thanks to Juliet Nicolson's brilliant research. These events interwoven with Nicolson as an eight year old child and her relationship with her widowed grandfather and her younger brother highlighting how early experiences live on in us forever, make this a deeply moving and original book

—— Julia Samuel, psychotherapist and bestselling author of Grief Works

The bitter winter of 1962-3 closed down life for Britain just as Covid is doing today. Juliet Nicolson was a child then and is a scintillating storyteller now. There is not an icicle, politician, scandal or song missing from this engrossing re-creation of times so recently passed. Enchanting and wise, it leaves this message for our future: they survived, and so shall we

—— Carmen Callil

This is an absolutely mesmerising book. Where I knew of the events concerned I was fascinated by the vivid retelling, and when I didn't I was utterly gripped

—— Antonia Fraser

Works fizzingly well on all its many different levels . . . the unity between the national crisis and the family story never falters. The sensuous delight Juliet Nicolson takes in the natural world makes the snow both villain and star of Frostquake

—— Philip Norman

In 1962 East Sussex snowdrifts reached 23ft and in London milkmen made deliveries on skis. The experience shaped the Britain of the 1960s, argues Nicolson in this lively social history

—— The Times (Books to Look Out for in 2021)

Wonderfully comprehensive

—— Gillian Tindall , Times Literary Supplement

Exhilarating

—— Valerie Grove , Oldie

[An] entertaining account

—— Brian Groom , Financial Times

A micro-history of that extraordinarily cold winter, which, she [Nicolson] argues, changed Britain forever

—— Francesca Carington , Tatler

A wonderful book

—— Barry Humphries , The Times

Juliet Nicolson's Frostquake is a micro-history of that extraordinarily cold winter, which, she argues, changed Britain forever. Nicolson is a warm guide to that freezing time, weaving together memories of her childhood at Sissinghurst, the nascent Chelsea set scene on the Kings Road, global politics and the Profumo affair

—— Francesca Carington , Tatler Books of the Year

[An] enthralling account of the horrendous winter of 1962/3

—— Spencer Leigh , Liverpool Echo

Free is astonishing. Lea Ypi has a natural gift for storytelling. It brims with life, warmth, and texture, as well as her keen intelligence. A gripping, often hilarious, poignant, psychologically acute masterpiece and the best book I've read so far this year

—— Olivia Sudjic, author of Asylum Road

Lea Ypi's teenage journey through the endtimes of Albanian communism tells a universal story: ours is an age of collapsed illusions for many generations. Written by one of Europe's foremost left-wing thinkers, this is an unmissable book for anyone engaged in the politics of resistance

—— Paul Mason, author of Postcapitalism

This extraordinary coming-of-age story is like an Albanian Educated but it is so much more than that. It beautifully brings together the personal and the political to create an unforgettable account of oppression, freedom and what it means to acquire knowledge about the world. Funny, moving but also deadly serious, this book will be read for years to come

—— David Runciman, author of How Democracy Ends

A new classic that bursts out of the global silence of Albania to tell us human truths about the politics of the past hundred years. . . It unfolds with revelation after revelation - both familial and national - as if written by a master novelist. As if it were, say, a novella by Tolstoy. That this very serious book is so much fun to read is a compliment to its graceful, witty, honest writer. A literary triumph

—— Amy Wilentz, author of Farewell, Fred Voodoo

Illuminating and subversive, Free asks us to consider what happens to our ideals when they come into contact with imperfect places and people and what can be salvaged from the wreckage of the past

—— Azar Nafisi, author of Reading Lolita in Tehran

A young girl grows up in a repressive Communist state, where public certainties are happily accepted and private truths are hidden; as that world falls away, she has to make her own sense of life, based on conflicting advice, fragments of information and, above all, her own stubborn curiosity. Thought-provoking, deliciously funny, poignant, sharply observed and beautifully written, this is a childhood memoir like very few others -- a really marvellous book

—— Noel Malcolm, author of Agents of Empire

Free is one of those very rare books that shows how history shapes people's lives and their politics. Lea Ypi is such a brilliant, powerful writer that her story becomes your story

—— Ivan Krastev, author of The Light that Failed

Lea Ypi is a pathbreaking philosopher who is also becoming one of the most important public thinkers of our time. Here she draws on her unique historical experience to shed new light on the questions of freedom that matter to all of us. This extraordinary book is both personally moving and politically revolutionary. If we take its lessons to heart, it can help to set us free

—— Martin Hägglund, author of This Life

I haven't in many years read a memoir from this part of the world as warmly inviting as this one. Written by an intellectual with story-telling gifts, Free makes life on the ground in Albania vivid and immediate

—— Vivian Gornick, author of Unfinished Business

Lea Ypi has a wonderful gift for showing and not telling. In Free she demonstrates with humour, humanity and a sometimes painful honesty, how political communities without human rights will always end in cruelty. True freedom must be from both oppression and neglect

—— Shami Chakrabarti, author of On Liberty

A funny and fascinating memoir

—— White Review, Books of the Year

A rightly acclaimed account of loss of innocence in Albania from a master of subtext . . . Precise, acute, often funny and always accessible

—— The Irish Times

A remarkable story, stunningly told

—— Emma Duncan , The Times

A vivid portrayal of how it felt to live through the transition from socialism to capitalism, Ypi's book will interest readers wishing to learn more about Albania during this tumultuous historical period, but also anyone interested in questioning the taken-for-granted ideological assumptions that underpin all societies and shape quotidian experiences in often imperceptible ways

—— Hannah Proctor , Red Pepper

A classic, moving coming-of-age story. . . Ypi is a beautiful writer and a serious political thinker, and in just a couple hundred readable pages, she takes turns between being bitingly, if darkly, funny (she skewers Stalinism and the World Bank with equal deadpan) and truly profound

—— New York Times

Beguiling. . . the most probing memoir yet produced of the undefined 'transition' period after European communism. More profoundly a primer on how to live when old verities turn to dust. Ypi has written a brilliant personal history of disorientation, of what happens when the guardrails of everyday life suddenly fall away. . . Reading Free today is not so much a flashback to the Cold War as a glimpse of every society's possible pathway, a postcard from the future

—— Charles King , Washington Post
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