Author:Svetlana Alexievich,Richard Pevear,Larissa Volokhonsky
'A must read' - Margaret Atwood
'It would be hard to find a book that feels more important or original' - Viv Groskop, Observer
Extraordinary stories from Soviet women who fought in the Second World War - from the winner of the Nobel Prize in Literature
"Why, having stood up for and held their own place in a once absolutely male world, have women not stood up for their history? Their words and feelings? A whole world is hidden from us. Their war remains unknown... I want to write the history of that war. A women's history."
In the late 1970s, Svetlana Alexievich set out to write her first book, The Unwomanly Face of War, when she realized that she grew up surrounded by women who had fought in the Second World War but whose stories were absent from official narratives. Travelling thousands of miles, she spent years interviewing hundreds of Soviet women - captains, tank drivers, snipers, pilots, nurses and doctors - who had experienced the war on the front lines, on the home front and in occupied territories. As it brings to light their most harrowing memories, this symphony of voices reveals a different side of war, a new range of feelings, smells and colours.
After completing the manuscript in 1983, Alexievich was not allowed to publish it because it went against the state-sanctioned history of the war. With the dawn of Perestroika, a heavily censored edition came out in 1985 and it became a huge bestseller in the Soviet Union - the first in five books that have established her as the conscience of the twentieth century.
Extraordinary. . . it would be hard to find a book that feels more important or original. . . Alexievich's strength - and a mark of her own courage - is that she is forever on the lookout for the seemingly inconsequential, almost trivial human moments. . . Her achievement is as breathtaking as the experiences of these women are awe-inspiring
—— Viv Groskop , ObserverAn astonishing book, harrowing and life-affirming. It deserves the widest possible readership
—— Paula Hawkins, author of The Girl on the TrainMagnificent. . . Alexievich doesn't just hear what these women say; she cares about how they speak. . . It's a mark of her exceptional mind that she tries to retain the incomprehensible in any human story
—— Gaby Wood , Daily Telegraph Books of the YearA must read
—— Margaret AtwoodBrilliant
—— Kamila Shamsie , Guardian Books of the YearA revelation. . . Alexievich's text gives us precious details of the kind that breathe life into history . . . This is a book about emotions as much as it is about facts. It is not a historical document in the accepted sense. . . and yet ultimately, which historical documents are more important than this?
—— Lyuba Vinogradova , Financial TimesAstonishing. . . Her years of meticulous listening, her unobtrusiveness and her ear for the telling detail and the memorable story have made her an exceptional witness to modern times. . . This is oral history at its finest and it is also an essay on the power of memory, on what is remembered and what is forgotten
—— Caroline Moorehead , GuardianThese stories about the women warriors of Mother Russia are a symphony of feminine suffering and strength. . . Read this book. And then read it again
—— Gerard DeGroot , The TimesA beautifully written book about a vast tapestry of military, political and social upheaval. Remarkably well-researched, wise, balanced, very funny at times . . . I was a witness to events in Paris in the first desperate, glorious, mad weeks, and this is just how it was
—— Dirk BogardeA dashing, multi-dimensional story. This book covers all aspects of life - diplomacy, strategy, rationing, politics and politicking (from Churchill, Pétain's and de Gaulle's point of view), the international theatricals and the tourist invasion, blitzkrieg and Ritzkrieg - to create a lovely tapestry, threaded with facts and figures
—— Olivier Todd , Sunday TimesAbsorbing . . . a rich, many-layered account, selecting from official documents, private archives, memoirs and histories with a wonderful lightness of touch, so that the most complex events become clear
—— Jenny Uglow , Independent on SundayAmazing fresh and immediate . . . absolutely honest, it is an extraordinarily gripping and powerful story
—— Evening StandardWeimar Germany… was arty, tolerant, and forward-looking. But other forces lurked. Hett explains these forces, and their devastating effects, superbly well.
—— William Leith , Evening StandardChilling reading … Serves as a warning to the West’s imperilled democracies … Faced with jingoist politicians who resort to poisonous lies, [Hett’s] book fairly proclaims, the forces of democracy can prevail only if they muster courage, resolve and cooperative spirit.
—— Roger Lowenstein , Washington PostHistories of Nazi Germany can be overwhelming. The Death of Democracy is carefully focused on the conditions and cynical choices that enabled Nazism, in just a few years turning one of the world’s most advanced and liberal societies into a monstrosity. Its author is also that rarity, a specialist who writes lucidly and engagingly. In this post-truth, alternative-facts American moment, The Death of Democracy is essential reading.
—— Kurt Andersen, author of FantasylandThe story of how Germany turned from democracy to dictatorship in the fifteen years following World War I is not a simple one. But the moral lessons are exceptionally clear. Benjamin Carter Hett honours that complexity in this account while never straying from the path of moral clarity. An outstanding accomplishment.
—— Rick Perlstein, author of Nixonland and The Invisible BridgeHett’s brisk and lucid study offers compelling new perspectives inspired by current threats to free societies around the world… It is both eerie and enlightening how much of Hett’s account rings true in our time. The larger story he tells resonates, too.
—— E. J. Dionne , Washington PostA first-rate history lesson with a surprisingly prescient message for the world of today... Hett's sharp prose and careful use of newfound material not only sets the work apart from that of his peers, but also effectively draws significant (and particularly scary) parallels with current socio-political climates.
—— Essential JournalismInspirational
—— ExpressPowerful ... hard to put down.
—— Choice MagazineComparisons to Man's Search for Meaning are natural but this work has the potential to be even more bold.
—— Michael Berenbaum, Former Project Director, US Holocaust Memorial MuseumThe distressed fabric of the author's traumatic past becomes a beautiful backdrop for a memoir written with integrity and conviction...A searing, astute study of intensive healing and self-acceptance through the absolution of suffering and atrocity.
—— Kirkus ReviewsA splendidly colourful read ... an enthralling and resonant story of populist politicians, and religious war, and the reshaping of nations
—— BooksellerThis book’s fascination is as a joint portrait of the royal couple, the most human of historical actors in England’s greatest political drama.
—— Rebecca Fraser , The TabletA highly intelligent, fair and sympathetic biography.
—— Allan Massie , The Catholic Herald[ An] absorbing biography of Charles I
—— The TelegraphThis is a striking insight into both developing contemporary thought and religious controversies
—— Terry Philpot , The Tablet, **Books of the Year**White King is a lively attempt to make him [Charles I] flesh and blood
—— Robbie Millen , The Times, **Books of the Year**