Author:Terry Hayes
THE AMAZING NEW THRILLER FROM TERRY HAYES.
IF YOU THOUGHT I AM PILGRIM WAS GOOD...
Imagine mixing in a blender Tom Clancy with the movie Predator and the X-Files . . . non-stop action
—— Library JournalA mix of James Rollins action-heavy adventure, the military gadgetry of Tom Clancy, and the pacing of 24
—— BooklistSpectacularly cinematic . . . a flat out adrenalin rush
—— New York Times bestselling authors Judith and Garfield Reeves StevensA tightly woven tale in spare but piercing prose
—— MetroMoving and thought-provoking
—— Doug Johnstone , Big IssueKarin Fossum's minimalist police procedurals... have a stealthy way of mutating into richer, if also darker, psychological studies of criminals and their victims... In the end, the novel isn't about willful murder or even accidental death, but the psychological aftershocks for the living
—— New York Times Book ReviewReading a Karin Fossum novel is always a wonderful, almost meditative, experience. Even though she writes about horrible crimes, her compassion and intelligence shine through, and by the time you reach the final page you’re left feeling irrevocably changed - for the better. Her latest, The Drowned Boy, is right up there among her best
—— Reading MattersFossum shows us how the crime novel can be more than sheer entertainment… Well-written and gripping
—— DagbladetKarin Fossum is among our foremost authors, regardless of genre. This because of her unique ability to create real people and her deep understanding of the human soul. She has always mastered this, but never better than in The Drowned Boy
—— Drammens TidendeAmong Fossum’s finest novels…a strong literary quality and quivering suspense
—— DagsavisenAgatha Christie meets Rear Window...a taut psychological thriller that's chockful of chilling twists.
—— Mail on Sunday, Events MagazineClever, exciting and full of twists, this is undoubtedly the cream of this year's crop
—— Daily MailUnputdownable . . . the new literary sensation . . . nothing short of sensational
—— Daily Mail...this unusual clammy-palmed thriller.
—— THE TIMESHawkins juggles perspectives and timescales with great skill, and considerable suspense builds up along with empathy for an unusual central character.
—— GUARDIANAbsorbing . . . refreshingly unconventional
—— Irish TimesA real page-turner.
—— Independent 'i'a wholly original writer.
—— S MagazineA thrilling plot, full of suspense.
—— The SunClaustrophobic, compulsive and gripping
—— Daily ExpressIntriguing ... presents enough believable suspects and motives to keep the reader gripped
—— The HeraldWhat She Left leads the reader down a dark and twisty path of suspense and intrigue. This gripping and stylishly written novel left me chilled to the bone and captivated me from beginning to end
—— Heather Gudenkauf, author of The Weight of SilenceWHAT SHE LEFT is bold and inventive storytelling. The reader becomes the investigator, sorting through diary entries, letters, tweets, and emails to discover the truth beneath the tales of an entire cast of potentially unreliable narrators. This is not only a clever thriller, but an insightful exploration of identity and the personae we create in the social-media era
—— Alafair Burke, New York Times bestselling author of The ExA faultlessly constructed, page-turning debut, Disclaimer delivers its twists and surprises with ease. It is both clever and moving, and I'm full of admiration.
—— JOANNA BRISCOEIt's Disclaimer that turns out to be the Gone Girl of the season
—— New York TimesAn ingenious and involving tale and a very successful first novel
—— Literary ReviewFiendishly clever
—— Daily MailRenee Knight's stunning debut is a thriller with a particularly literary flavour, but also with a heart. Best enjoyed slowly, with no skipping to the heart-wrenchign conclusion. Terrific.
—— Saga MagazineA deeply probing, intense psychological thriller that was gripping and very difficult to put down
—— Huffington PostDisclaimer forms a trinity alongside Gone Girl and The Girl on the Train as the best of domestic noir . . . Disclaimer will be climbing the bestseller list
—— New York Daily NewsAn original plot, well-paced to its unexpected climax
—— The TimesA highly assured debut novel with a cracking premise . . . a remarkable well written page turner
—— Euro CrimeA superior piece of dark emotional fiction that will get under your skin.
—— Sainsburys magazinePlunges us into our worst nightmare - somebody knows our darkest secret, and they're sharing it
—— Val McDermidA finely crafted puzzle box
—— SpectatorA brilliant premise, superbly executed. I love this book
—— CLARE MACKINTOSH, author of I LET YOU GOfantastic - was absolutely gripped. Great idea, could not put it down.
—— Tweet from Lucy DiamondDisclaimer is a real one-nighter
—— Tweet from Polly SamsonIt's knockout
—— Tweet from Claudia WinklemanThe marvel of the new suspense novel “Disclaimer” is that it lives up to its unusually gripping premise.
Disclaimer forms a trinity alongside “Gone Girl” and the “The Girl on the Train” as the best of domestic noir. That this is a first novel from Renee Knight, a British television screenwriter, makes her sure hand with what’s sinister that much more stunning.
A sensational psychological thriller
—— Jackie Collinsexcellent debut
—— KATE MOSSE, GuardianThis bestseller is definitely one of the best thrillers of 2015.
—— Marie ClaireMore original and sophisticated than your average psychological thriller, Renée Knight's DISCLAIMER is an accomplished and addictive tale.
—— Sunday Times