Author:Lissa Evans
Now a major film starring Gemma Arterton, Sam Claflin and Bill Nighy.
It's 1940. In a small advertising agency in Soho, Catrin Cole writes snappy lines for Vida Elastic and So-Bee-Fee gravy browning. But the nation is in peril, all skills are transferable and there's a place in the war effort for those who have a knack with words.
Catrin is conscripted into the world of propaganda films. After a short spell promoting the joy of swedes for the Ministry of Food, she finds herself writing dialogue for 'Just an Ordinary Wednesday', a heart-warming but largely fabricated 'true story' about rescue and romance on the beaches of Dunkirk. And as bombs start to fall on London, she discovers that there's just as much drama, comedy and passion behind the scenes as there is in front of the camera . . .
Originally published as Their Finest Hour and a Half
[Lissa Evans] displays a fine eye for detail and for the absurdities involved in filming. She also brilliantly evokes the disruption and dangers of wartime London. This funny, heart-warming and beautifully crafted novel is a must-read
—— Daily MailBeautifully written, minutely observed and researched, evocative and very funny tale
—— Michele Hanson , GuardianComic, poignant and altogether delightful, raised spirits are guaranteed
—— Easy LivingThis is a comic novel, but far warmer in tone and broader in scope than that label would suggest...Gloriously observed...Hilliard is a wonderful creation - and Evans's recreated propaganda scripts are a total joy. Delicious
—— The TimesPitch-perfect in tone and populated by some unforgettable characters, Lissa Evans's blackly comic new novel is a delight
—— The Gloss MagazineHer Orange longlisted novel comes close to Michael Moorcock's Mother London, or even Sara Waters's The Night Watch, in illuminating not just the deprivations, but also the liberations of the war years
—— GuardianHer tale of artistes attempting a morale-boosting low-budget British film in 1941 is a joy...Evans knows exactly when to play scenes for their wry comedy and when to play things straight...the austerity of domestic life is beautifully caught...This is the truest and most enjoyable novel about home-front life I've read; it's touching and hilarious
—— Christopher Fowler , Independent on SundayThe characters and their dialogue and the author's quiet humour are what make this really sing. It deserves to do really well.
—— Daily TelegraphA triumph...A compulsively readable tragi-comedy to savour. *****
—— Sunday ExpressThis novel has clever narrative, lively dialogue and lyrical imagery. I loved the author's highly polished prose, whether sparkling with wit or achingly poignant. She creates a magical blend of humour and pathos. I enjoyed every page.
—— New Books MagazineHis faith in the transformative power of storytelling bestows this gentle but worthwhile novel with its own narrative strength and power.
—— Claire Allfree , MetroAbsorbing and searing
—— Washington PostA major achievement
—— PeopleDeserves a place on the shelf with The Diary of Anne Frank - set to become a classic
—— USA TodayZusak makes his ostensibly gloomy subject bearable in the same way Kurt Vonnegut did in Slaughterhouse 5, with grim, darkly consoling humour
—— TimeZusak's playfulness with language leavens the horror and makes the theme more resonant - words can save your life ...It's a measure of how sucessfully Zusak has humanized these characters that even though we know they are doomed, it's no less devastating when Death finally reaches them
—— Publishers WeeklyOne of the most highly anticipated young-adult books in years
—— The Wall Street Journal'Elegant, philosophical and moving. A work to read slowly and savour. Beautiful and important
—— Kirkus ReviewsBoth gripping and touching, a work that kept me up late into the night feverishly reading the last 300 pages
—— Cleveland Plain-DealerZusak's novel is a highwire act of inventiveness and emotional suppleness
—— The AustralianA triumph of control ...one of the most unusual and compelling of recent Australian novels
—— The Age...the much talked about The Book Thief, by Markus Zusak...should soon have the UK under its spell.
—— Sam Burson , The Western Mail...this is a novel to touch even the coldest of hearts - definitely 2007's first must-read book.
—— Newmarket JournalA compelling tale from the start...definitely 2007's first must-read book.
—— Bury Free PressA moving story from the German perspective of everyday civilian hardship and surivival under the Third Reich. It celebrates the power of words and love, in the face of unutterable suffering
—— Mail on SundayDeath turns out to be a tender narrator in Zusak's 'The Book Thief' [...] This novel movingly depicts the Himmel Street community, and its orphaned book thief, Liesel Meminger
—— Books Quarterly (Waterstones)Your emotions by the end of this novel are shot to pieces, but it's well worth it.
—— GuardianAlthough already a bestselling children's book, THE BOOK THIEF's insightful and poignant tone and appealing characters...are amply equipped to capture adults, too.
—— Observer