[Lissa Evans] displays a fine eye for detail and for the absurdities involved in filming. She also brilliantly evokes the disruption and dangers of wartime London. This funny, heart-warming and beautifully crafted novel is a must-read

Beautifully written, minutely observed and researched, evocative and very funny tale

Comic, poignant and altogether delightful, raised spirits are guaranteed

This is a comic novel, but far warmer in tone and broader in scope than that label would suggest...Gloriously observed...Hilliard is a wonderful creation - and Evans's recreated propaganda scripts are a total joy. Delicious

Pitch-perfect in tone and populated by some unforgettable characters, Lissa Evans's blackly comic new novel is a delight

Her Orange longlisted novel comes close to Michael Moorcock's Mother London, or even Sara Waters's The Night Watch, in illuminating not just the deprivations, but also the liberations of the war years

Her tale of artistes attempting a morale-boosting low-budget British film in 1941 is a joy...Evans knows exactly when to play scenes for their wry comedy and when to play things straight...the austerity of domestic life is beautifully caught...This is the truest and most enjoyable novel about home-front life I've read; it's touching and hilarious

The characters and their dialogue and the author's quiet humour are what make this really sing. It deserves to do really well.

A triumph...A compulsively readable tragi-comedy to savour. *****

This novel has clever narrative, lively dialogue and lyrical imagery. I loved the author's highly polished prose, whether sparkling with wit or achingly poignant. She creates a magical blend of humour and pathos. I enjoyed every page.

His faith in the transformative power of storytelling bestows this gentle but worthwhile novel with its own narrative strength and power.

Absorbing and searing

A major achievement

Deserves a place on the shelf with The Diary of Anne Frank - set to become a classic

Zusak makes his ostensibly gloomy subject bearable in the same way Kurt Vonnegut did in Slaughterhouse 5, with grim, darkly consoling humour

Zusak's playfulness with language leavens the horror and makes the theme more resonant - words can save your life ...It's a measure of how sucessfully Zusak has humanized these characters that even though we know they are doomed, it's no less devastating when Death finally reaches them

One of the most highly anticipated young-adult books in years

'Elegant, philosophical and moving. A work to read slowly and savour. Beautiful and important

Both gripping and touching, a work that kept me up late into the night feverishly reading the last 300 pages

Zusak's novel is a highwire act of inventiveness and emotional suppleness

A triumph of control ...one of the most unusual and compelling of recent Australian novels

...the much talked about The Book Thief, by Markus Zusak...should soon have the UK under its spell.

...this is a novel to touch even the coldest of hearts - definitely 2007's first must-read book.

A compelling tale from the start...definitely 2007's first must-read book.

A moving story from the German perspective of everyday civilian hardship and surivival under the Third Reich. It celebrates the power of words and love, in the face of unutterable suffering

Death turns out to be a tender narrator in Zusak's 'The Book Thief' [...] This novel movingly depicts the Himmel Street community, and its orphaned book thief, Liesel Meminger

Your emotions by the end of this novel are shot to pieces, but it's well worth it.

Although already a bestselling children's book, THE BOOK THIEF's insightful and poignant tone and appealing characters...are amply equipped to capture adults, too.