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Time's Monster
Time's Monster
Oct 23, 2024 1:33 AM

Author:Priya Satia

Time's Monster

CHOSEN AS A BOOK OF THE YEAR BY NEW STATESMAN AND BBC HISTORY MAGAZINE

'In this searing book, Priya Satia demonstrates, yet again, that she is one of our most brilliant and original historians' Sunil Amrith, author of Unruly Waters

For generations, the history of the British empire was written by its victors. British historians' accounts of conquest guided the consolidation of imperial rule in India, the Middle East, Africa and the Caribbean. Their narratives of the development of imperial governance licensed the brutal suppression of colonial rebellion. Their reimagining of empire during the two world wars compromised the force of decolonization.

In this brilliant work, Priya Satia shows how these historians not only interpreted the major political events of their time but also shaped the future that followed. History emerged as a mode of ethics in the modern period, endowing historians from John Stuart Mill to Winston Churchill with outsized policymaking power. Braided with this story is an account of alternative visions articulated by anticolonial thinkers such as William Blake, Mahatma Gandhi and E. P. Thompson. By the mid-twentieth century, their approaches had reshaped the discipline of history and the ethics that came with it.

Time's Monster reveals the dramatic consequences of writing history today as much as in the past. Against the backdrop of enduring global inequalities and debates about reparations and the legacy of empire, Satia offers us a hugely important and urgent moral voice.

Reviews

Much of the best scholarship today is ­distinguished by a vigorous and sustained challenge to old imperialist verities. Priya Satia's Time's Monster, which comes out of a long, if little-noticed, intellectual ­counter-tradition in Asia and Europe, bracingly describes how our moral and political imagination became so constrained and how it could be liberated

—— Pankaj Mishra, , New Statesman, Books of the Year

Vital. . . a coruscating and important reworking of the relationship between history, historians and empire

—— Kenan Malik , Observer

Phenomenal . . . in asking how British men felt able to justify running an empire rooted in violence and systemic inequality, Satia's discussion of this ethical conundrum runs into wonderfully imaginative, even astronomical and spiritual spaces

—— Priya Atwal , BBC History Magazine

Priya Satia's book dazzles by its brilliance but also points to other enigmas and mysteries that historians have to confront and unravel

—— The Wire

Turns the lens on history as a subject, asking how we have told the story of empire in the past. Satia offers a scholarly and analytical interpretation of how historians themselves have framed the ways that empire is understood in British history writing - from John Stuart Mill to EP Thompson

—— Yasmin Khan , BBC History Magazine, Books of the Year

A meditative, intensive and sweeping critique of the discipline of history . . . an important book

—— History Today

Fearless . . . A book that puts the historian's craft to brilliant use in examining the philosophical and conceptual foundations of the discipline of History

—— Amitav Ghosh

Not only a sweeping account of the British Empire over the past three centuries, but also an ambitious intellectual history, touching on everything from the Mahabharata to Marx, and from Shakespeare to Said. . . This urgent and compelling book encourages us to listen to different voices, to tell different stories, and ultimately to rethink what it means to be a historian and to engage critically and imaginatively with the past

—— Kim Wagner, author of Amritsar 1919

In this searing book, Priya Satia demonstrates, yet again, that she is one of our most brilliant and original historians. Time's Monster casts new light on the British Empire by homing in on a fundamental question --how did 'good' men, acutely concerned with their consciences, preside over systematic exploitation and repeated atrocities? Satia shows that only if we grapple with the complicity of historians in assuaging their moral qualms can we confront empire's darkest legacies in our troubled world

—— Sunil Amrith, author of Unruly Waters

Deeply thought-provoking and incisively argued, Time's Monster is sure to become a classic for anyone interested in European empires and the role of history in shaping human behaviour. In this extraordinary book, Priya Satia weaves wide-ranging evidence into a lively narrative, proving incontrovertibly why she is one of the most important historians of our time.

—— Caroline Elkins, author of Imperial Reckoning

A pathbreaking study of the historical imagination's founding in colonialism. Moving from historical counternarratives to anti-historical thinking and poetry, Priya Satia guides us through important new ways of understanding the imperial past and its effects on our shared future.

—— Faisal Devji, author of The Impossible Indian

A deeply insightful account of the way historical thinking informs the exercise of power. If historians are to play a positive role in the struggle to bend the arc of human history away from tyranny and toward justice, the lessons of this book should weigh heavily on our collective conscience. But more than that, this work is indispensable for anyone who wants to understand how the way we know the past shapes our future possibilities

—— Vincent Brown, author of Tacky’s Revolt

A magisterial account of the role of history in the making of the British Empire. At a moment of chronic hand-wringing over the decline of the historical profession and the crisis of the humanities, Time's Monster is an especially welcome addition for understanding how history can be used and misused.

—— Dinyar Patel, author of Naoroji

History writing once burnished the monument of imperial progress, and continues to do so for many audiences today. In her brilliant and coruscating account of the uses of history in the making and unmaking of the British empire, Priya Satia offers a striking new way of confronting the problems that continue to plague contemporary societies. This is a bravura performance

—— Samuel Moyn, author of Not Enough

As people around the globe struggle against a world order that owes its existence to rampant resource exploitation and dehumanizing beliefs about racial hierarchies, Priya Satia has given us a timely and powerful reminder about the complicity of history, as a discipline, in the making of that order.

—— Jacob Dlamini, author of The Terrorist Album

A book of big and bold ideas... Bakewell is wide-ranging, witty and compassionate

—— Wall Street Journal

Lively. . . [Bakewell's] new book is filled with her characteristic wit and clarity; she manages to wrangle seven centuries of humanist thought into a brisk narrative, resisting the traps of windy abstraction and glib oversimplification. . . She puts her entire self into this book, linking philosophical reflections with vibrant anecdotes. She delights in the paradoxical and the particular, reminding us that every human being contains multitudes

—— Jennifer Szalai , New York Times

A book of big and bold ideas, Humanly Possible is humane in approach and, more important, readable and worth reading. . . Bakewell is wide-ranging, witty and compassionate

—— Wall Street Journal

Bakewell brings her signature blend of wit and philosophical sophistication to the complex, sometimes contentious 700-year history of humanist thought . . . Bakewell is no stranger to the art of applying sophisticated philosophical thinking to the urgent business of daily life . . . for her, the essence of humanism lies not in grand ideas but the idiosyncrasies of individual experience

—— Jennifer Schuessler , New York Times

A spine-tingling, seamless account of 700 years of humanist thought

—— Daily Telegraph, *Summer Reads of 2023*

Searing... A rousing, inspired voice demanding to be recognized and heard

—— Washington Post

Deft, essential, and a novel of poetic consideration, Assembly holds (the Black-British) identity in its hands, examining it until it becomes both truer and stranger - a question more than an answer. I nodded, I mhmmed, I sighed (and laughed knowingly, bitterly)

—— Rachel Long, Folio Prize-shortlisted author of 'My Darling From the Lions'

Bold and original, with a cool intelligence, and so very truthful about the colonialist structure of British society: how it has poisoned even our language, making its necessary dismantling almost the stuff of dreams. I take hope from Assembly, not just for our literature but also for our slow awakening

—— Diana Evans, author of 'Ordinary People'

Mind-bending and utterly original. It's like Thomas Bernhard in the key of Rachel Cusk but about black subjectivity

—— Brandon Taylor, author of 'Real Life'

Brilliantly sharp and curiously Alice-like... It centres on a gifted and driven young Black woman navigating a topsy-turvy and increasingly maddening modern Britain... Her indictment is forensic, clear, elegant, a prose-polished looking glass held up to her not-so-post-colonial nation. Only one puzzle remains unsolved: how a novel so slight can bear such weight

—— Times Literary Supplement

A piercing, cautionary tale about the costs of assimilating into a society still in denial about its colonial past. Brown writes with the deftness and insight of a poet

—— Mary Jean Chan, author of 'Flèche'

Bold, elegant, and all the more powerful for its brevity, Assembly captures the sickening weightlessness which a Black British woman, who has been obedient to and complicit with the capitalist system, experiences as she makes life-changing decisions under the pressure of the hegemony

—— Paul Mendez, author of 'Rainbow Milk'

This is a stunning achievement of compressed narrative and fearless articulation

—— Publisher's Weekly

One of the most talked-about debuts of the year . . . you'll read it in one sitting

—— Sunday Times Style

Thrilling... Brown gets straight to the point. With delivery as crisp and biting into an apple, she short-circuits expectation... This is [the narrator's] story, and she will tell it how she wishes, unpicking convention and form. Like The Drivers' Seat by Muriel Spark, it's thrilling to see a protagonist opting out and going her own way

—— Scotsman

A nuanced, form-redefining exploration on class, work, gender and race

—— Harper’s Bazaar

Across 100 lean pages, Brown deftly handles a gigantic literary heritage... Her style rivals the best contemporary modernists, like Eimear McBride and Rachel Cusk; innocuous or obscure on a first reading, punching on a second... Assembly is only the start

—— Daily Telegraph

There's something of Isherwood in Brown's spare, illuminating prose... A series of jagged-edged shards that when accumulated form an unhappy mirror in which modern Britain might examine itself

—— Literary Review

A debut novel as slender and deadly as an adder

—— Los Angeles Times

A razor-sharp debut... This powerful short novel suggests meaningful discussion of race is all but impossible if imperialism's historical violence remains taboo

—— Daily Mail

Bold, spare, agonisingly well-observed. An impressive debut

—— Tatler

Excoriating, unstoppable... The simplicity of the narrative allows complexity in the form: over barely a hundred pages, broken into prose fragments that have been assembled with both care and mercilessness

—— London Review of Books

Beguiling and beautifully written, this is the work of an author with a bright future

—— Tortoise

Coruscating originality, emotional potency, astonishing artistic vim... This signals the arrival of a truly breathtaking literary voice... A scintillating tour de force

—— Yorkshire Times

Fierce and accomplished, Assembly interrogates the high cost of surviving in a system designed to exclude you

—— Economist

I was blown away by Assembly, an astonishing book that forces us to see what's underpinning absolutely everything

—— Lauren Elkin, author of 'Flaneuse'

Coiled and charged, a small shockwave... Sometimes you come across a short novel of such compressed intensity that you wonder why anyone would bother reading longer narratives... [Assembly] casts a huge shadow

—— MoneyControl

A masterwork . . . it contains centuries of wisdom, aesthetic experimentation and history. Brown handles her debut with a surgeon's control and a musician's sensitivity to sound

—— Tess Gunty , Guardian

An extraordinary book, and a compelling read that had me not only gripped but immediately determined to listen again... Highly recommended

—— Financial Times on 'Assembly' in audiobook

'As utterly, urgently brilliant as everyone has said. A needle driven directly into the sclerotic heart of contemporary Britain. Beautiful proof that you don't need to write a long book, just a good book'

—— Rebecca Tamas, author of 'Witch'

Every line of this electrifying debut novel pulses with canny social critique

—— Oprah Daily

Devastatingly eloquent, bold, poignant

—— Shelf Awareness

An achievement that will leave you wondering just how it's possible that this is only the author's very first work... Brown packs so much commentary and insight inside of every single sentence... Original and startling all at once. After reading Assembly, I cannot wait to see what Natasha Brown does next

—— Shondaland

[Brown's] work is like that of an excellent photographer - you feel like you are finally seeing the world sharply and without the common filters. That is hypnotising

—— Rowan Hisayo Buchanan , Guardian

A brilliantly compressed, existentially daring study of a high-flying Black woman negotiating the British establishment

—— Guardian, 'Best Fiction of 2021' , Justine Jordan
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