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Time's Witness
Time's Witness
Oct 5, 2024 4:03 PM

Author:Rosemary Hill

Time's Witness

From the Wolfson Prize-winning author of God's Architect: Pugin and the Building of Romantic Britain

Between the fall of the Bastille in 1789 and the opening of the Great Exhibition in 1851, history changed. The grand narratives of the Enlightenment, concerned with kings and statesmen, gave way to a new interest in the lives of ordinary people. Oral history, costume history, the history of food and furniture, of Gothic architecture, theatre and much else were explored as never before. Antiquarianism, the study of the material remains of the past, was not new, but now hundreds of men - and some women - became antiquaries and set about rediscovering their national history, in Britain, France and Germany.

The Romantic age valued facts, but it also valued imagination and it brought both to the study of history. Among its achievements were the preservation of the Bayeux Tapestry, the analysis and dating of Gothic architecture, and the first publication of Beowulf. It dispelled old myths, and gave us new ones: Shakespeare's birthplace, clan tartans and the arrow in Harold's eye are among their legacies. From scholars to imposters the dozen or so antiquaries at the heart of this book show us history in the making.

Reviews

Hill is a magnificent historian and ... Time's Witness is a book to change the way you think about history.

—— John Carey , Sunday Times

in this rich and absorbing study ... Hill has succeeded splendidly in her mission to rescue these often strange, eccentric but fascinating figures from "oblivion and the condescension of posterity".

—— Paul Lay , The Times

Long meditated and meticulously researched, this book ... [is] presented in prose of unassertive grace and quiet wit ... what it offers is a rich feast, best consumed slowly and savoured, and Hill has assembled each course with magnificent erudition.

—— Rupert Christiansen , Sunday Telegraph

immensely engaging... exceptional ... Antiquarianism was about making the past live again, and Hill makes the past of the antiquarians live again ... we can discern an innovative, sly and wry new form of non-fiction ... a beautifully written and very clever book which is psychologically astute

—— Stuart Kelly , Scotland on Sunday

Not many writers could control this wide-ranging narrative with such clarity or assurance as here. Nor has Dr Hill succumbed to the temptation to tell in a long book what could be presented in a relatively short one. The result is outstanding: an engaging, incisive and thought-provoking exploration of the history of history in Romantic Britain.

—— John Goodall , Country Life

She has accumulated a vast amount of detailed material and organized it impeccably into a witty and intelligent narrative which is both erudite and readable. If only all history was written this well.

—— Clare Pettitt , Times Literary Supplement

impressive and stimulating ... At its heart, Time's Witness is a social and intellectual history that pays tribute to the role of antiquaries in recasting the way that British people understood and came to respect their distant national past. Hill seeks to rescue the antiquaries from "the condescension of posterity", and in that she succeeds admirably

—— Tony Barber , Financial Times

Time's Witness retraces the antiquarians' journey into the past through the revolutions of the present ... Hill is an elegant stylist and vivid storyteller, and her account brims with anecdotes gathered from the little-known papers of her protagonists ... few could resist this sensitive, learned and amusing plunge into the historical imagination.

—— Tom Stammers , Apollo

In this engaging survey ... by marrying scholarship and sensibility ... she achieves her stated aim of restoring history to the antiquaries and the antiquaries to history.

—— Andrew Lycett , Spectator

"The history we have," Rosemary Hill writes in her preface to Time's Witness "is the history we want. It is the picture we choose to see in the clouds." Hill's book accordingly recreates, in magnificent detail, the cloud pictures conjured into being by the historians, writers, architects and artists and, above all, antiquaries who, between 1789 and 1851, reimagined the relationship between past and present in both Britain and France.

—— Daisy Hay , BBC History Magazine

Time's Witness, which records with such verve the steady extension of subjects deemed fit for scholarly investigation two hundred years ago, is published at a moment when much of the curiosity and many of the pursuits it documents are endangered.

—— Nicholas Penny , London Review of Books

Not everything that was false was fake, a theme that runs through Time's Witness, pushing us to think differently about the past, challenging our expectations of how that past should be recorded and interpreted and, above all, placing the Romantic sensibility and its embracing of subjectivity and imaginative reconstruction at the heart of historical enquiry.

—— Adrian Tinniswood , History Today

in the best Romantic antiquarian tradition, the book is an engaging and densely detailed scholarly tome that reads a bit like a love letter, or at least an expression of infectious intellectual enthusiasm. Throughout Time's Witness, 'history' becomes visible as a succession of ideas and theories about the past that are continuously overlaid and revised in an ongoing process of exchange and accumulation.

—— Sarah Watling , Literary Review

A wonderful memoir. . . a uniquely engaging and illuminating account of a young life during a period of intense turmoil. So readable, yet Ypi does not sacrifice profound observations about politics and culture. Detailing the absurdities of the regime from a child's perspective, she pulls off the remarkable feat of emphasizing their cruelty with a light and often humorous touch

—— Misha Glenny , TLS

Fantastically engaging. . . A breakout book. . . Such an engrossing story that it is (almost) unsurprising that it is already being translated into eleven languages. If a film follows, don't be surprised

—— Tim Judah , Financial Times

Five stars. . . deserves to be added to the history curriculum

—— Daily Telegraph

Lea Ypi's experiences inspire a moving and profound reflection on the nature of freedom that avoids either liberal triumphalism or Stalinist nostalgia. She is most concerned with the futures that were lost in between

—— George Eaton, , The New Statesman

With its delicious sour-sweet comedy and pages of precise observation, Free opens a window on to one of the most bleakly isolationist regimes in human history

—— Ian Thomson, , Spectator

Free is a rare and nuanced glimpse into the history of Albania, offering the personal perspective of a childhood spent in the shadow of an oppressive regime, and the long and turbulent transition that came after

—— Geographical, Books of the Year

A really fascinating and wonderful book, and beautifully written too. Not many writers could have pulled this off with such grace and elegance. You won't regret buying this one, for sure

—— Nigel Warburton , Five Books, Best Philosophy Books of 2021

Ypi excels at describing the fall and aftermath of Albanian communism from the perspective of her childhood . . . rich and remarkable

—— Literary Review

Essential reading. Lea Ypi's gorgeously written text - part memoir, part bildungsroman - tells a very personal story of socialism and postsocialism. Poignant and timely

—— Kristen Ghodsee , Jacobin

Vital . . . an extraordinary memoir of social upheaval and historical change in 1990s Albania

—— Huck

A powerful and thought provoking memoir . . . wonderfully human, it is a story of missed opportunities, disillusionment and hope that ultimately invites readers to ask themselves what it means to be free

—— Katja Hoyer , History Today

This vivid rendering of life amid cultural collapse is nothing short of a masterpiece

—— Publishers Weekly

Remarkable and highly original . . . Both an affecting coming-of-age story and a first-hand meditation on the politics of freedom

—— Caroline Sanderson , Editor’s Choice, Bookseller

A probing personal history, poignant and moving. A young life unfolding amidst great historical change - ideology, war, loss, uncertainty. This is history brought memorably and powerfully to life

—— Tara Westover, author of Educated

Unique, insightful, and often hilarious. . . Albania on the cusp of change, chaos and civil war is the setting for the best memoir to emerge from the Balkans in decades

—— Craig Turp-Balazs , Emerging Europe

A lyrical memoir, of deep and affecting power, of the sweet smell of humanity mingled with flesh, blood and hope

—— Philippe Sands, author of East West Street

Free is astonishing. Lea Ypi has a natural gift for storytelling. It brims with life, warmth, and texture, as well as her keen intelligence. A gripping, often hilarious, poignant, psychologically acute masterpiece and the best book I've read so far this year

—— Olivia Sudjic, author of Asylum Road

Lea Ypi's teenage journey through the endtimes of Albanian communism tells a universal story: ours is an age of collapsed illusions for many generations. Written by one of Europe's foremost left-wing thinkers, this is an unmissable book for anyone engaged in the politics of resistance

—— Paul Mason, author of Postcapitalism

This extraordinary coming-of-age story is like an Albanian Educated but it is so much more than that. It beautifully brings together the personal and the political to create an unforgettable account of oppression, freedom and what it means to acquire knowledge about the world. Funny, moving but also deadly serious, this book will be read for years to come

—— David Runciman, author of How Democracy Ends

A new classic that bursts out of the global silence of Albania to tell us human truths about the politics of the past hundred years. . . It unfolds with revelation after revelation - both familial and national - as if written by a master novelist. As if it were, say, a novella by Tolstoy. That this very serious book is so much fun to read is a compliment to its graceful, witty, honest writer. A literary triumph

—— Amy Wilentz, author of Farewell, Fred Voodoo

Illuminating and subversive, Free asks us to consider what happens to our ideals when they come into contact with imperfect places and people and what can be salvaged from the wreckage of the past

—— Azar Nafisi, author of Reading Lolita in Tehran

A young girl grows up in a repressive Communist state, where public certainties are happily accepted and private truths are hidden; as that world falls away, she has to make her own sense of life, based on conflicting advice, fragments of information and, above all, her own stubborn curiosity. Thought-provoking, deliciously funny, poignant, sharply observed and beautifully written, this is a childhood memoir like very few others -- a really marvellous book

—— Noel Malcolm, author of Agents of Empire

Free is one of those very rare books that shows how history shapes people's lives and their politics. Lea Ypi is such a brilliant, powerful writer that her story becomes your story

—— Ivan Krastev, author of The Light that Failed

Lea Ypi is a pathbreaking philosopher who is also becoming one of the most important public thinkers of our time. Here she draws on her unique historical experience to shed new light on the questions of freedom that matter to all of us. This extraordinary book is both personally moving and politically revolutionary. If we take its lessons to heart, it can help to set us free

—— Martin Hägglund, author of This Life

I haven't in many years read a memoir from this part of the world as warmly inviting as this one. Written by an intellectual with story-telling gifts, Free makes life on the ground in Albania vivid and immediate

—— Vivian Gornick, author of Unfinished Business

Lea Ypi has a wonderful gift for showing and not telling. In Free she demonstrates with humour, humanity and a sometimes painful honesty, how political communities without human rights will always end in cruelty. True freedom must be from both oppression and neglect

—— Shami Chakrabarti, author of On Liberty

A funny and fascinating memoir

—— White Review, Books of the Year

A rightly acclaimed account of loss of innocence in Albania from a master of subtext . . . Precise, acute, often funny and always accessible

—— The Irish Times

A remarkable story, stunningly told

—— Emma Duncan , The Times

A vivid portrayal of how it felt to live through the transition from socialism to capitalism, Ypi's book will interest readers wishing to learn more about Albania during this tumultuous historical period, but also anyone interested in questioning the taken-for-granted ideological assumptions that underpin all societies and shape quotidian experiences in often imperceptible ways

—— Hannah Proctor , Red Pepper

A classic, moving coming-of-age story. . . Ypi is a beautiful writer and a serious political thinker, and in just a couple hundred readable pages, she takes turns between being bitingly, if darkly, funny (she skewers Stalinism and the World Bank with equal deadpan) and truly profound

—— New York Times

Beguiling. . . the most probing memoir yet produced of the undefined 'transition' period after European communism. More profoundly a primer on how to live when old verities turn to dust. Ypi has written a brilliant personal history of disorientation, of what happens when the guardrails of everyday life suddenly fall away. . . Reading Free today is not so much a flashback to the Cold War as a glimpse of every society's possible pathway, a postcard from the future

—— Charles King , Washington Post
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