Author:Christopher Green,Christopher Green
The collected radio shows of country music superstar and global activist Tina C., the creation of award-winning entertainer Christopher Green
'One of my favourite performers ... witty, often outrageous and always in tune!' Sir Ian McKellen
'Christopher Green's Tina C. is one of the great comic creations of the age. A genuinely fine country singer, but with a twist of satire and insight which is rare and to be highly prized' Stephen Fry
From the moment her second album 'No Dick's As Hard As My Life' was released, the world took notice of country music singer Tina C. Grammy Award-winning singer, international peace icon, US presidential hopeful and poster girl for American democracy, Tina C. is the living embodiment (and what a body) of soft power. Now, in these seven sensational radio shows, she's here to recruit you to her world view. You can run, but you can't hide from Tina C....
In Tina C.: Herstory, she presents her life story, from her humble Tennessee origins to worldwide fame, and discusses her struggles with guest interviewers Raj Persaud, Jenni Murray, Ritula Shah and Bob Harris. With the help of a red-hot live band, she also recreates her biggest hits.
Tina C.'s Tiny Island Tour finds her exploring our very own Great Britain through comedy and song, bringing her inimitable brand of gingham-flavoured repartee to the US and UK's special relationship.
Tina C.'s State of the Union Tour sees her investigating just what is Europe? Visiting Stockholm, Paris, the Baltics, Ireland, Berlin and Madrid, she gets to grips with European culture.
Tina C. Goes Down Under: The Aborogynal Monologues follows the country and western star from Alice Springs to the Gold Coast, Canberra and Tamworth as she examines Australian's love of country music.
And in Tina C.'s Election Night BBQ Special, Tina assesses her chances of becoming President and does an in-depth interview with Martha Kearney.
Tina C.'s Global Depression Tour takes her to the US, Iceland, Australia, Europe, China and the UK, as she tries to save the world from its financial mess - with the help of economists and financial journalists including Will Hutton, Paul Mason and Gillian Tett.
Finally, in Tina C.'s Commonwealth of Nations: The Empire Strikes Back, Tina - fresh from the 2014 Commonwealth Games' spectacular opening ceremony - guides a Glasgow audience through her own unique take on the Commonwealth, and why she should be in it.
Written and performed by Christopher Green
One of my favourite performers ... witty, often outrageous and always in tune!
—— Sir Ian McKellenChristopher Green's Tina C. is one of the great comic creations of the age. A genuinely fine country singer, but with a twist of satire and insight which is rare and to be highly prized
—— Stephen FryAdmittedly, The Beautiful Ones is a book in pieces, fragments of the ground-braking autobiography Prince had planned. Pieced together after his death in 2016, it collects his handwritten childhood memoirs, superb personal photographs and his chosen co-writer Dan Piepenbring’s vivid account of their brief collaboration. Yet remarkably despite the central absence, it still catches something of Prince between the gaps- a trace of perfume, a glance to camera, a first kiss.
—— The Sunday TimesThe Beautiful Ones is for everyone. It doesn't matter whether you're a Prince fanatic or if your interest is simply piqued by all things music or pop culture: The book is worth picking up.The Beautiful Ones is not a read, but an experience, an immersion inside the mind of a musical genius. You are steeped in Prince's images, his words, his essence… The book can be a starting point for a Prince fascination, or a continuation of long-standing admiration. Either way, it will deepen the connection of any reader with the musical icon.
—— USA TodayIt’s both a pleasure and a surprise to say that although The Beautiful Ones may not satisfy fans’ wildest dreams, it delivers much, much more than we had any reason to expect. As is clear from editor Dan Piepenbring’s very long intro, Prince took the project very seriously, and it shows in the work he delivered. Although the actual autobiography segment of this book ends at the end of Prince’s teens, it shines an intimate and revealing light on the least-known period of his life — his childhood — which is embellished with family photos, notes and other ephemera.
—— VarietyPiepenbring’s introduction certainly gives a sense of the singer, someone who was both otherworldly and prosaic.
—— GuardianThe Beautiful Ones is an affirmation of Prince’s Blackness and humanity…. Prince writes about his childhood with clarity and poetic flair, effortlessly combining humorous anecdotes with deep self-reflection and musical analysis….It’s another truth about him that is rarely explored in the media…. The Beautiful Ones shows that Prince is one of us — he just worked to manifest dreams that took him from the North Side of Minneapolis to the Super Bowl. It encourages us to tap into our power to design the lives we envision for ourselves and set a precedent for future generations to do the same.
—— HuffpostThe stories told in The Beautiful Ones are filmic dreams of a life.
—— New StatesmanThe Beautiful Ones remains a jewel like fragment, Piepenbring’s sensitive introduction providing a snapshot of the Purple One’s last months at Paisley Park and during the Piano and Microphone tour.
—— Q MagazinePiepenbring doesn't just want to write this memoir with Prince, he wants to do it right (whatever "right" is, Prince always colored way outside of the purple lines). Once Prince dies and the book project lives on, Piepenbring also wants to do right by his idol…. This means we get a memoir that is written by Prince, literally. Handwritten pages he had shared with Piepenbring make up Part 1, taking us from his first memory — his mother's eyes — through the early days of his career…. We also get a memoir that is carefully curated by Piepenbring, who writes that he was able to go through Paisley Park, room-by-room, sorting through Prince's life… The Beautiful Ones doesn't paint a perfect picture. It's not definitive. It can't be, it shouldn't be and, thankfully, it doesn't try to be. We'll never know what it might have been if Prince had lived. But it's a good start. Now, it's up to us to take what's there and make something out of it for ourselves, creating, just as Prince wanted.
—— NPRThe book kicks off with Piepenbring’s engrossing tale behind the memoir…That soon gives way to the pages the artist wrote before his passing...These recollections are tender and heartfelt…a rare treasure trove for Prince fanatics
—— Yahoo! EntertainmentThis sumptuous-looking illustrated tribute to the late, great musician and singer tells the official story of Prince's life, through his own words and personal effects.
—— The BooksellerPrince’s voice comes through loud and clear; his personality, joie de vivre and single-mindedness jumping off the page throughout.'
—— Classic Pop MagazineA beautifully crafted objet d’art
—— Hot PressPrince's posthumous memoir conceals as much as it reveals, but remains a beautiful and strange book.
—— The QuietusWorth every penny.
—— Daily MirrorThis is a beautiful book and a must-have for Prince completists
—— Daily ExpressA ghostly memoir of a pop legend
—— iThe Beautiful Ones is not a traditional memoir of the trailblazer, more a collage of stories, notes, and pictures, […] a fascinating document.
—— Irish ExaminerPrince’s deeply personal memoir, that includes never-seen photos, scrapbooks and lyric sheets. It’s a must for all fans.
—— Choice MagazineOther books will surely dig deeper into the life and the music, but his glows with a special allure, gilded as it is by the touch of the creator himself.
—— Q MagazineIf you adored the amazing performer […] then you should get your hands on this amazing memoir, written by the artist himself in The Beautiful Ones. Prince provides incredible anecdotes about his meteoric rise to stardom, sharing photos and memorabilia that have never been seen before.
—— Essential Marbella MagazineBeautifully constructed, clear-eyed and generous-spirited.
—— Will Atkins, author of THE MOOR and THE IMMEASURABLE WORLDStories endure in this compelling debut.
—— WanderlustA noble quest to understand the dazzling respect for music embedded in Russian culture.
—— Country LifeAn intoxicating journey into the wilds of Siberia.
—— Stella magazineAn account of dogged journeys through Siberia from the Urals to the Sea of Okhotsk... Roberts's pages sing like a symphony.
—— Spectator Books of the YearAbdurraqib, known for his playful, intelligent sense of humor on Twitter, highlights amazing performances that shed light on societal constructions and moments of sheer joy his book about Black culture in America. Writing about joy is challenging; falling back on cliche is a constant temptation that Abdurraqib avoids in this insightful tome
—— ForbesThat sense of limitlessness wraps itself around every essay in Abdurraqib's newest book, A Little Devil in America: Notes in Praise of Black Performance. In it, he writes about Black performance in America-from Great Depression-era dance marathons to the enduring cool of Don Cornelius to the art of Mike Tyson entering a boxing ring-with both great reverence and rigorous analysis. The book, in the way Abdurraqib's work so often does, erects monuments to our should-be legends and our unignorable icons alike, and paints an expansive, deeply felt portrait of the history of Black artistry
—— Leah Johnson , Electric LiteratureThis deft consideration of seemingly irreconcilable values, between the personal and private dimensions of performance, can be found throughout the essays in A Little Devil in America...Abdurraqib sees performance as a site of radical questioning, experimentation, and dream-making. This book is not a work of theory. It is sensual. We watch him watching his idols and we watch him dancing along with them, sometimes clumsily. If Brooks's goal is to make a case for performers' intellectualism, Abdurraqib's is to help us understand how they teach us to live richer, more embodied lives
—— Danielle A. Jackson , VultureEngrossing and moving ... A new, poetic take on essays that, I think, changes the game in many ways.
—— Roger Robinson , New Statesman Books of the YearAstonishing, impressive ... the connections he makes point to the enduring influence of Black art ... a book as bold as it is essential
—— TIME Book of the YearAbdurraqib writes with uninhibited curiosity and insight about music and its ties to culture and memory, life and death, on levels personal, political, and universal.
—— Booklist (starred)A towering work full of insightful observations about everything from the legacy of Nina Simone to the music of Bruce Springsteen... a powerful work about art, society, and the perspective through which its author regards both.
—— Electric LiteratureA joyful requiem - emphasis on joyful. Abdurraqib has written a guide for the living as well as a memorial for those we have lost.
—— Los Angeles Review of BooksAs powerful and touching as anything I've read this year, and Abdurraqib has emerged as the Ta-Nehisi Coates of popular culture.
—— James Mann , The Big Takeover