Praise for WW2 Ladybird Experts Series

Shines a light on some of the darkest and most dramatic moments of the six-year conflict.

The artwork is gloriously retro, echoing the original Ladybird house style but containing completely up to date information.

Antony Beevor's magnificent account. . . Beevor's skill lies in his ability to recreate the tumultuous brutality of battle. . . With stark honesty, Beevor describes the terrible panoply.

The analysis he has produced of the disaster is forensic. Aficionados of military history will revel in Beevor's microscopic detail, with every skirmish given its rightful place. . . Beevor's prodigious research has nevertheless unearthed many treasures, particularly his record of the sufferings of Dutch civilians who risked their necks by nursing wounded allied soldiers.

Complete mastery of both the story and the sources. The beauty is in the details. . . . This gripping book, with its tightly focused timescale and subject matter, shows him once again at his very best.

Another masterwork from the most feted military historian of our time. . . Does the story need to be retold? Beevor is such a good writer, with a gift for clarity and a knack for the telling personal portrait, that the answer is undoubtedly yes.

Our greatest chronicler of the Second World War . . . The drama of manoeuvre and counter-thrust, the courage and cowardice of soldier and civilian, the follies and vanities of commanders, which are especially rich in this story, are deployed with colour and humanity. His fans will love it.

As Antony Beevor showed in Stalingrad, he is a master of his craft as a military historian. . . We have here a definitive account of one of the most painful episodes of the Second World War.

It is, in short, a chapter of the Second World War that was crying out for the storytelling talents of Sir Antony Beevor, arguably the finest narrative historian of his generation. This is the result - and his many fans will not be disappointed . . . Beevor's particular skill is his ability to unearth new sources that articulate the experience of war felt by ordinary people: soldiers and civilians, men and women. . . Beevor has produced another superb book, tirelessly researched and beautifully written, that will long be the benchmark for this subject.

Beevor's superlative new book . . . Arnhem sees him return to Stalingrad form. Forensic is too soft a word to describe the breadth of detail he brings.

The compressed time scale and limited strategic scope of Market Garden ideally suit the author's testimony-rich approach . . . Beevor is a highly accomplished architect of what the American literary scholar Samuel Hynes calls 'battlefield gothic': the nightmarish horrors and absurdities of combat

On holiday I read and am wholly absorbed by Antony Beevor's Arnhem. Though I am defeated by much of the military detail, the human side of the action, the troops in the gliders, their fears and all too often their fates, are beautifully told, with some of the bloodshed and killing unbearable

This is destined to be a World War II military history classic . . . Beevor's superb latest offering, in keeping with his established record of excellence, is a must-read

Arnhem brings a wealth of new detail to a major World War II disaster . . . Beevor brings to the familiar story a vast amount of research in German, British, American, Polish, and Dutch archives. As usual, his narrative bristles with specifics, including countless observations gleaned from eyewitnesses to every stage of Market Garden. Devoted readers of military history will enjoy the wealth of details

With devastating command of his subject, Antony Beevor shows how one commander's hubris destroyed an army . . . No one beats Beevor at recreating the bewildering cacophony of war

Arnhem was one of the most epic engagements of WW2 and Antony Beevor gives it his usual excellent and fascinating big battle treatment, which makes for a gripping read

A superb work of history. Shakespeare has assumed nothing and allowed himself to be guided only by what a patient re-examination of the evidence-some of it new, much of it still surprisingly ill-digested until now- actually reveals. That is being an historian. The fact that he is also a novelist just means that it is very well written too, a thriller, in fact.

Shakespeare is better known as a novelist than as a historian. This may change after his superb account of the under-examined Norwegian campaign, for which alone his book deserves to be read… Shakespeare is excellent in tracing the intricate manoeuvres ahead of the debate between groups of parliamentarians… Enthralling

One of the very best history books I have ever read.

An eloquent study in how quickly the political landscape can change—and history with it.

An absorbing account of how events 1,300 miles away across the North Sea let to the most drastic cabinet reshuffle in modern British history... Shakespeare's book grips the attention from beginning to end. He conjures the characters and personalities of the senior commanders in the Norwegian campaign with a novelist's flair and eye for detail.

The most prescient book of the year

In A Spy Named Orphan Roland Philipps’s description of Donald Maclean’s psychological make-up chimes with what I have always felt about the Cambridge spies (Philby excepted) – namely, that their romance with the Soviet Union partook of patriotism as much as it did of espionage… Philipps makes the story and the slow uncovering of his treachery a gripping narrative and an overwhelmingly sad one

A highly intelligent, fair and sympathetic biography.

[ An] absorbing biography of Charles I

This is a striking insight into both developing contemporary thought and religious controversies

White King is a lively attempt to make him [Charles I] flesh and blood