Author:Mari Jungstedt
'Strong characters raise questions of how well we know those close to us...gripping' Financial Times
The dead man was a drunk; a regular on the park benches of Gotland's city centre. He had been celebrating winning 80,000 Krona at the races. His body is discovered by one of his drinking buddies: he is drenched in blood and someone or something has left a hole the size of a fist in the back of his head.
It's winter on the island of Gotland. The tourists have returned home. The tree branches are bare, the sky is sleet grey and the days are getting shorter and darker. Winter is a quiet time for Chief Inspector Anders Knutas and Detective Karin Jacobsson; the tourists tend to take the violent crimes with them back to the mainland. To keep their lives simple, they are tempted to assume that the victim died as a result of a drunken brawl over money. But all of the clues point to something far more sinister.
Then 14-year old Fanny Jansson, a volunteer at the local stables, vanishes. At first Knutas and Jacobsson find it hard to believe that the two cases are linked: one is a violent murder, the other, the disappearance of a lonely and isolated child who has probably run away. Painstakingly, they work the clues, assisted by ambitious TV reporter Johan Berg. But what none of them realise is that truth is much closer to home than they'd ever imagine.
Strong characters raise questions of how well we know those close to us . . . gripping
—— Financial TimesPRAISE FOR UNSEEN:
Just when I thought that the flow of impressive crime writers from the Nordic countries was slowing down, up pops another. Unseen is the Swede Mari Jungstedt's first novel, but it doesn't feel like it. She is in total control of plot and pace, conveys chilling atmosphere and her characters are well above average for believability.
There's an icy dispassionate grip to Jungstedt's writing that recalls Henning Mankell.
—— MetroMuscular writing, a smart line in self-deprecating humour, terrific dialogue and an engrossing portrayal of the sights and sounds of Dublin noir
—— The TimesGene Kerrigan is a great writer
—— Roddy DoyleExhilarating... Pacy, suspenseful... Opens with a bang
—— Sunday TimesHis style is taught and his dialogue pings and fizzes. I just have one question. When's the next instalment due?
—— Irish TimesGene Kerrigan's writing is magnificent. It's graceful, tough, hardboiled and tender, razor-sharp and gritty as it is lyrical and truthful
—— Joseph O'ConnorOne of the strongest stories of supernatural horror...the work bursts into life and does not flag until the end
—— Washington PostIrresistibly dramatic... Susan Hill has done the genre real honour
—— Chicago TribuneIt is bursting with classic Gothic horror motifs and Susan Hill is a master of atmospheric descriptions. She evokes so cleverly the decrepit Eel Marsh House, the mention of its name enough to make the locals pause, their faces darken in unspoken wariness… The Woman in Black gives a thrilling sense of unease and provides just the right level of things that go bump in the night for a spine-tingling good read.
—— KhoollectThis spine-tingling novel… will certainly keep your nerves jangling
—— Woman's Weekly