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Victor Canning's Mr Finchley
Victor Canning's Mr Finchley
Oct 18, 2024 3:57 AM

Author:Victor Canning,Richard Griffiths,Full Cast

Victor Canning's Mr Finchley

Two BBC Radio 4 adaptations of Victor Canning’s comic novels about the exploits of a shy solicitor’s clerk, starring Richard Griffiths

Edgar Finchley is middle-aged, unassuming and not in the habit of taking holidays – but in these two delightful dramatisations, he unexpectedly discovers the delights of travel as he crosses the Channel to the Continent and explores the English countryside.

Mr Finchley Goes to Paris finds our hero on his way to France to track down a rather irresponsible client. But before he sets off, he has an important question to put to a certain widow of his acquaintance… On arrival in Paris, he has a contretemps with a haddock, gains a guide, makes a move, visits a fair and gets caught up in a kidnapping – but is it a case of mistaken identity?

In Mr Finchley Takes the Road, he falls in love with a canary-coloured caravan and a rather stubborn horse, and heads off for a series of adventures touring 1930s Kent. Along the way, he meets an unlikely teller of salty tales, is captured by two gamekeepers and accused of poaching, visits an old haunt and goes on a crusade. But someone is following hot on his trail…

Dramatised by father-and-son team Eric Merriman (Beyond Our Ken) and Andy Merriman, these whimsical stories are narrated by James Villiers and star Richard Griffiths as Mr Finchley.

Written by Victor Canning

Adapted by Andy and Eric Merriman

Produced by Gareth Edwards

Starring Richard Griffiths as Edgar Finchley

Narrated by James Villiers

Mr Finchley Goes to Paris

Mrs Crantell – Anna Cropper

Mr Sprake – James Grout

Lawrence Hume – Piers Gibbon

Mrs Patten – Jill Graham

David White – James Taylor

Mavis – Teresa Gallagher

Frenchman – Barry Gordon

Marie Peters – Serena Evans

Robert Gillespie – James Cohen

Madame Mignard – Jacqueline Tong

Waiter – Keith Anderson

Mr Hammerton – Nicky Henson

Michel – Jeffrey Holland

Jerome Giraud – Simon Roberts

Gaston/Jacques – David Howarth

Baptiste Mignard – Albert Welling

Mr Barker – John Bird

Esmond Lockwood – Edward de Souza

Perkins – Richard Ridings

Lanky Harris – Alex Arkell

Mr Finchley Takes the Road

Mrs Finchley – Dinah Sheridan

Mr Rivers– Ron Pember

Turk – Peter Vaughan

Mr Sprake – James Grout

Mr Harricot– Alan Thompson

Colonel Greatorex – Ronald Fraser

Marshall – Joe Melia

Garge – Chris Emmett

Ernie – Jon Glover

Young woman – Susie Brann

Mr Blain – John Bird

Captain – Clive Swift

Mrs Maberley – Auriol Swift

Duffy – Richard Ridings

Mr Greevey – Albert Welling

Robert Finchley – Robert Gill

Mr Harbottle – Piers Gibbon

Miss Slater– Kate Binchy

Sir Simon Penickle – Alan Thompson

Mechanic – David Howarth

Jenks – Ian Bartholomew

Joe Turnbull – Bill Wallis

James Grimes – Geoffrey McGivern

Clarence Armitage – Sebastian Brennan

Mrs Armitage – Jacqueline Tong

Reviews

Lovely . . . Made me long for a long hot summer by the sea with friends and family. I loved that new beginnings turn up when you least expect them.

—— Jo Thomas, author of Escape to the French Farmhouse

Warm summer reading

—— Choice Magazine

This is a big event… [Stalingrad] gives voice to a dizzying array of experiences… [you] feel as though you are there, wandering through those devastated streets among the starving, dead, and mad

—— Claire Allfree , Daily Mail

A dazzling prequel… His descriptions of battle in an industrial age are some of the most vivid ever written… Stalingrad is Life and Fate’s equal. It is, arguable, the richer book – shot through with human stories and a sense of life’s beauty and fragility

—— Luke Harding , Observer

Few works of literature since Homer can match the piercing, unshakably humane gaze that Grossman turns on the haggard face of war

—— The Economist

‘How wonderful to see Grossman’s vision finally come to life. A masterwork told with devastating detail, humour, and profound insights into the essence of truth. I was riveted’

—— Lara Prescott, author of The Secrets We Kept

The almost polyphonic breadth and rich nuance of Grossman’s prose is perfectly captured by Chandler’s translation, accomplished with his wife Elizabeth. At close on 1,000 pages, it’s a monumental achievement

—— UK Press Syndication

[Grossman’s] characters witness, suffer and reflect with a hyper-real intensity. It illuminates nearly every page like the hellish glow that lights up the night sky over Stalingrad

—— Economist

Stalingrad… teems with love, devotion and wonderful flashes of humour. Sometimes all three arrive at once… but the most indelible passages arrive during the battle itself. The blow-by-blow accounts of young men willing to die to gain enough time for reinforcements to arrive from the east bank of the Volga are positively Homeric

—— Tobias Grey , Financial Times

An amazing achievement of translation and scholarship. It’s lucid and readable, with moment of wonderfully evocative prose… an astonishing example of the compromises between creativity and censorship

—— Marcel Theroux , Guardian

[Grossman’s] faith in common decency and kindness as the best antidote to totalitarian tyrannies blows like a gale through the book

—— Max Davidson , Mail on Sunday

Grossman’s most humane writing about injustice and atrocity paradoxically emerges from his own didactic Socialist Realist style. His desire to connect individual lives with the great flow of history transformed itself in an ability to speak for individuals lost and destroyed in the flow… Even now, Vasily Grossman remains a stepson of the time

—— Rachel Polonsky , Times Literary Supplement

Rare is the book that weighs the same as an artillery shell, rarer still one that weighs on the conscience as if a moral obligation. Stalingrad does that… This is a book to be absorbed over the course of a life, read and re-read from new perspectives… Each reading of Stalingrad would represent a movement closer to its elusive core, to its heart that keeps on beating through time

—— Alasdair McKillop , Herald

Stalingrad has been beautifully translated by Robert and Elizabeth Chandler, and lovingly pieced together, with the censored passages restored. Anybody who knows and admires Life and Fate would enjoy it (many of the same characters reappear)… It is a powerful war book

—— Victor Sebestyen , New Statesman

Compelling… [and] extraordinary storytelling… The English translation is an epic in itself… the story of the publication process sheds new light on how the typescript became almost as much of a battleground as the streets of Stalingrad. It gives a clear insight into the nature of Soviet political pressure, and of Grossman’s bravery… It’s a pleasure, albeit a bleak one, to see more of his brave work at last being rediscovered and published today, and his truth told

—— Vanora Bennett , Prospect

More than a novel, more than a history, more than graphic imagery, Stalingrad is written with an acute insight into the relationships of people caught up in the momentous tectonic shifts of history. A truly symphonic work… Robert and Elizabeth Chandler’s superb translation and editing…captures Grossman’s poetic intensity, bringing home the pain and the pity of a dying city

—— Gordan Parsons , Morning Star

A gloriously written book

—— Mark Glanville , Jewish Chronicle

The novel in this new, uncensored version does constantly what the best journalism does, which is to offer us significant details and show how they form part of a larger story… [a] wonderful novel… The translation that the Chandlers have put together is a masterpiece of empathy, a true mirror of the values that Grossman consistently champions over the course of Stalingrad… an engrossing, coherent and deeply moving work of art… a truly remarkable achievement

—— James Womack , Literary Review

An argument to read him not only as a fervent critic of totalitarianism, but as a deeply compassionate writer with an extraordinary gift for portraying psychological complexity and sensory detail

—— New Republic

This first English version of Stalingrad is a triumph on many levels… [Stalingrad] captures a definitive moment… [and Grossman] delivers an enduring tribute to the power of human spirit

—— Ella Walker , Herald

A seething fresco of combat, domestic routine under siege and intellectual debate, it confirms that Grossman was the supreme bard of the second world war

—— Economist, *Books of the Year*

To read Stalingrad is to be immersed in a world where everything is in flux… The reader emerges from his pages exhausted and chastened, but hugely enriched… the translators have done a superb job. If you haven’t read Life and Fate, it would pay to read Stalingrad first and prepare for the marathon of both volume; if you have, Stalingrad is an essential companion’

—— Dougal Jeffries , BJGP

A powerful account of families torn apart by probably the bloodiest campaign in history

—— Janet Margaret Hartley , Geographical

Ms. Moran['s] ... funny and cheerfully dirty coming-of-age novel has a hard kernel of class awareness ... sloppy, big-hearted and alive in all the right ways.

—— Dwight Garner , New York Times

This is going to be a bestseller…A sharp, hilarious and controversial read

—— The Bookseller

A must for Handmaid's Tale aficionados

—— Booklist

Powerful, Ishiguro-esque... Sophie Mackintosh lays bare many of the fears and realities that face any society's women as they contemplate when their choices begin, and where they might end

—— Boston Globe

Told with ragged prose that catches the breath, [Blue Ticket] articulates the irrepressible desires and wounds that can lie deep within, marked by a claustrophobia that never stops pressing in from the margins. This unsettling reimagining of the anxieties and pressures around motherhood lays bare the alienation that comes when your body is not truly yours

—— Irish News

A darkly brilliant allegory... Astute, revelatory and heartbreaking

—— Heather O’Neill, author of 'The Lonely Hearts Hotel'

A rich, sharp, and daring book. To read Blue Ticket is to feel so vigorously alert you can feel the world turning

—— Heidi Sopinka, author of 'The Dictionary of Animal Languages'

Mesmerising

—— Daily Nerd

Mackintosh poses urgent questions about social expectations and free will that are relevant to all realities

—— Poets and Writers

This debut novel by acclaimed short story writer van den Berg tends to lean much closer to the realms of literary fiction with its complex psychology. . . Van den Berg's writing is curiously beautiful

—— Kirkus

a strange beauty in this apocalyptic tale

—— Psychologies
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