Author:Stefan Hertmans,David McKay
WINNER OF THE VONDEL PRIZE 2017
LONGLISTED FOR THE 2017 MAN BOOKER INTERNATIONAL PRIZE
Selected as a Book of the Year 2016 in The Times, Sunday Times and The Economist, and one of the 10 Best Books of 2016 in the New York Times
Shortly before his death, Stefan Hertmans' grandfather Urbain Martien gave his grandson a set of notebooks containing the detailed memories of his life. He grew up in poverty around 1900, the son of a struggling church painter who died young, and went to work in an iron foundry at only 13. Afternoons spent with his father at work on a church fresco were Urbain’s heaven; the iron foundry an inferno.
During the First World War, Urbain was on the front line confronting the invading Germans, and ever after he is haunted by events he can never forget. The war ends and he marries his great love, Maria Emelia, but she dies tragically in the 1919 flu epidemic. Urbain mourns her bitterly for the rest of his life but, like the obedient soldier he is, he marries her sister at her parents' bidding. The rest is not quite silence, but a marriage with a sad secret at its heart, and the consolations found in art and painting. War and Turpentine is the imaginative reconstruction of a damaged life across the tumultuous decades of the twentieth century; a deeply moving portrayal of family, grief, love and war.
War and Turpentine is the astonishing result of Hertmans’ reckoning with his grandfather’s diaries. It is a book that lies at the crossroads of novel, biography, autobiography and history… It seems aching to be called 'Sebaldian', and earns the epithet glowingly… In McKay’s lyrical translation, every detail has the heightened luminosity of poetry… War and Turpentine has all the marking of a future classic.
—— Neel Mukherjee , GuardianStaggering richness of language; brutal, deep, haunting. Mesmerising from page one... If you think you’ve had enough of the muddy gore of Flanders Fields, believe me you haven’t, not until you’ve read this book.
—— Simon SchamaMasterpiece, an accolade often casually bestowed, really does describe this magnificent book… A haunting blend of fact and fiction… Page after page holds you rapt with admiration for both Hertmans' writing and his hero.
—— Peter Kemp , Sunday Times, Book of the YearHertmans writes with an eloquence reminiscent of W.G. Sebald... a masterly book about memory, art, love and war.
—— New York Times 10 Best Books of 2016A lovingly reimagined life of an ordinary man whose life was for ever marked by the First World War. Fine prose.
—— The Economist, Book of the YearWonderful, full of astonishingly vivid moments of powerful imagery… Hertmans’s book is something else again: it has a quietly resonant personal epic quality that dwarfs all around it.
—— David Mills , Sunday TimesSkilful and lyrical reconstruction of a life transformed by war, love and art… It is not often a book succeeds on many levels, but War and Turpentine manages to be a mesmerising portrait of an artist as a young man, a significant contribution to First World War literature and a brilliant evocation of a vanished world.
—— Malcolm Forbes , HeraldHertmans follows in his grandfather’s footsteps in this brilliant and moving imagined reconstruction, his imagination beautifully filling the gaps as he describes “the battle between the transcendent, which he yearned for, and the memory of death and destruction, which held him in its clutches.”
—— Eithne Farry , Daily ExpressA masterly treatise on the interconnections of life, art, memory, and heartbreaking love...Hertmans’s prose, with a deft translation from McKay, works with the same full palette as Urbain Martien’s paintings: vivid, passionate—and in the end, life-affirming.
—— Publishers WeeklyWar and Turpentine is an exquisite, loving reconstruction of a man’s interior life, at once deeply personal and yet so evocative of many of his generation, affected by the long shadow of war. In beautiful, glimmering prose, Hertmans shows us how our experiences shape us all, and how, even in a life of sorrow and heartache, dignity can be found.
—— DovegreyreaderSuperb… The central section, which descrives life in the trenches in the First World War and the story of a lost love, is especially evocative
—— Simon Shaw , Mail on SundayAffecting and unusual… Hertman’s first-person construction evokes the brutality of the trenches but also their monotony... But the majority of War and Turpentine is not set in wartime, and deals with remembrance of a different sort. It is the soft edges of history, memory and creation that are its true subject… The heart of the book is a masterly portrait of a man’s grief over lost love and his commemoration of it in art.
—— Sunday Telegraph[A] vivid novel
—— The TimesDeserves a place on the shelf with The Diary of Anne Frank - set to become a classic
—— USA TodayZusak makes his ostensibly gloomy subject bearable in the same way Kurt Vonnegut did in Slaughterhouse 5, with grim, darkly consoling humour
—— TimeZusak's playfulness with language leavens the horror and makes the theme more resonant - words can save your life ...It's a measure of how sucessfully Zusak has humanized these characters that even though we know they are doomed, it's no less devastating when Death finally reaches them
—— Publishers WeeklyOne of the most highly anticipated young-adult books in years
—— The Wall Street Journal'Elegant, philosophical and moving. A work to read slowly and savour. Beautiful and important
—— Kirkus ReviewsBoth gripping and touching, a work that kept me up late into the night feverishly reading the last 300 pages
—— Cleveland Plain-DealerZusak's novel is a highwire act of inventiveness and emotional suppleness
—— The AustralianA triumph of control ...one of the most unusual and compelling of recent Australian novels
—— The Age...the much talked about The Book Thief, by Markus Zusak...should soon have the UK under its spell.
—— Sam Burson , The Western Mail...this is a novel to touch even the coldest of hearts - definitely 2007's first must-read book.
—— Newmarket JournalA compelling tale from the start...definitely 2007's first must-read book.
—— Bury Free PressA moving story from the German perspective of everyday civilian hardship and surivival under the Third Reich. It celebrates the power of words and love, in the face of unutterable suffering
—— Mail on SundayDeath turns out to be a tender narrator in Zusak's 'The Book Thief' [...] This novel movingly depicts the Himmel Street community, and its orphaned book thief, Liesel Meminger
—— Books Quarterly (Waterstones)Your emotions by the end of this novel are shot to pieces, but it's well worth it.
—— GuardianAlthough already a bestselling children's book, THE BOOK THIEF's insightful and poignant tone and appealing characters...are amply equipped to capture adults, too.
—— ObserverIn dazzling and propulsive prose, Brian Van Reet explores the lives on both sides of the battle lines… Depicting a war spinning rapidly out of control, destined to become a modern classic, Spoils is an unsparing and morally complex novel that chronicles the achingly human cost of combat.
—— Victoria SadlerSpoils reeks of the fog and futility of war… It has its own blue-collar beauty as it tells its tale from three perspectives: a gay, female US soldier, an Egyptian jihadist and a US tank commander.
—— Donal O’Donoghue , RTE GuideBrian Van Reet has firsthand combat experience to draw upon for this powerful piece of fiction, rendering it an intensely humane story, giving credible authenticity to the plot, and scenes presented to the reader… Enlightening, thought provoking and hauntingly mesmerising, I cannot recommend Spoils highly enough to anyone interested in novels about war and conflict.
—— Sharon Mills , NudgeEvery page brims with brutal authenticity.
—— The Mail on SundaySpoils bears eye-widening witness to valour, horror, violence, cruelty and absurdity.
—— Marcel Theroux , Guardian