Author:Katherine Jakeways,Rosie Cavaliero,Justin Edwards,Full Cast
Rosie Cavaliero and Justin Edwards star in this romantic comedy about a couple who meet on a train
‘Had me gripped from the start … Just lovely’ – Miranda Sawyer, Observer
Suzie’s never been to Cornwall before, but one day she finds herself on the Cornish Riviera Express, hurtling from Paddington to Penzance. She sits next to David and over the course of an eventful five-hour journey an intense relationship develops. But both she and David are married, so they don’t expect to see each other again.
However, fifteen months later, out of the blue, David lands in Suzie’s life again. Another five months pass, and Suzie seeks David out, needing his help. Two years after their first meeting, David again turns up unexpectedly.
They’ve both enjoyed escaping their middle-aged lives together. But now there’s no escape from reality; and it’s crunch time for Suzie and David. Should the duo make their love affair last?
Written by acclaimed actress and comedian Katherine Jakeways, creator of the much-loved radio sitcom North by Northamptonshire, this funny, touching drama stars Rosie Cavaliero (Gentleman Jack) as Suzie and Justin Edwards (The Thick of It) as David.
The four-part story of a midlife love affair that began with a long railway journey from London to Penzance, this had me gripped from the start. Suzie, played by Rosie Cavaliero, and David (Justin Edwards) were perfect: attractive, funny and frustrating in equal measures. The surrounding characters were believable, in an Alan Bennett way, and, oh, Jakeways’ writing was sublime. The punchlines, the pacing, the humanity. Just lovely
—— Miranda Sawyer , The ObserverGood-humoured, deeply engaging... Brilliant... Gratifying and elucidating
—— GuardianDelightful... Entertaining and thought-provoking... Sittenfeld's cut-glass prose and razor-sharp observations take her work to another level
—— ObserverFunny and painfully true... Closing it for the last time, you feel like you're losing a new best friend
—— Marie ClaireRazor-sharp... Sittenfeld's prose, which has that elusive ability to seduce you without you ever noticing The writing, is a joy to read, and her characters a joy to spend time with
—— Time OutCharming... this kind of novel usually gets the chick-lit tag, but with Sittenfeld there's always an edge, always a threat of something bad just around the corner
—— Glasgow HeraldGripping, ethereal, atmospheric... Mackintosh handles haziness deliberately and with poise, demonstrating the near impossibility of trying to articulate or rationalise maternal desire
—— Sunday TimesMackintosh writes with a language drawn from the body.... Impressionistic and haunting in equal measure
—— Annabel Nugent , IndependentVisceral, primal, striking... This is a potent exploration of biology and agency, motherhood and childlessness, which confirms [Mackintosh] as a writer of note
—— Daily MailMackintosh is part of a new generation of female writers creating feminist fictions that relate uncannily to our dystopian times... [Her] fiction lives, to an unusual extent, in its musicality, in the rhythm and spareness of its sentences
—— Claire Armitstead , Guardian ReviewFor anyone currently waiting with bated breath for the new season of 'The Handmaid's Tale', Booker-longlisted author Sophie Mackintosh's new novel is a feminist dystopia to quench your thirst
—— Evening StandardA thoughtful and haunting exploration of freedom, fate and a woman's right to choose her destiny
—— ObserverChilling, timely, thought-provoking
—— Esquire, Best Books of Summer 2020[Mackintosh] writes with an ethereal lyricism that is equally capable of fragility and violence
—— SpectatorBlue Ticket offers a completely different angle on a familiar subject... Like all good speculative fiction, [it] reminds us of a truth in the real world
—— New HumanistA compelling, unsettling tale... Part-horror, part thriller, and part pregnant-lesbian love story
—— iA dark fable... Mackintosh sensitively conveys resonant questions about motherhood, female solidarity, queer love, and bodily autonomy
—— New YorkerCool, disturbing, it deals with emotionally fraught material. Mackintosh traffics in ambivalence and ambiguity... What Calla really wants, the author shows us, isn't necessarily a baby; it's an answer
—— Washington PostA spare, haunting tale of autonomy and free will
—— Anthony Cummins , Daily MailBoth claustrophobic and expansive, dream-like and heart-stoppingly tense. You will want to languish in its world for a very long time
—— Lara Williams, author of 'Supper Club'This book left me breathless - it is gloriously subversive in its exploration of motherhood and desire. I'll be pressing it on everyone
—— Angela Chadwick, author of 'XX'Strange and luminous, spare and precise... A thrilling exploration of what it means to follow one's own longing to the point of destruction and beyond
—— Rosie Price, author of 'What Red Was'Utterly exquisite - clever and brilliant and heartbreaking. From the dusty road to the salving forest, I absolutely adored it
—— Emma Jane Unsworth, author of 'Adults' and 'Animals'Chilling, haunting, heartbreaking... Mackintosh brings a new sense of pathos to the dystopian novel... A moving and original meditation on freedom, fate, and women's rage
—— Kirkus, Starred ReviewA dreamlike exploration of free will and desire
—— MonocleA must for Handmaid's Tale aficionados
—— BooklistPowerful, Ishiguro-esque... Sophie Mackintosh lays bare many of the fears and realities that face any society's women as they contemplate when their choices begin, and where they might end
—— Boston GlobeTold with ragged prose that catches the breath, [Blue Ticket] articulates the irrepressible desires and wounds that can lie deep within, marked by a claustrophobia that never stops pressing in from the margins. This unsettling reimagining of the anxieties and pressures around motherhood lays bare the alienation that comes when your body is not truly yours
—— Irish NewsA darkly brilliant allegory... Astute, revelatory and heartbreaking
—— Heather O’Neill, author of 'The Lonely Hearts Hotel'A rich, sharp, and daring book. To read Blue Ticket is to feel so vigorously alert you can feel the world turning
—— Heidi Sopinka, author of 'The Dictionary of Animal Languages'Mesmerising
—— Daily NerdMackintosh poses urgent questions about social expectations and free will that are relevant to all realities
—— Poets and WritersIrresistible storytelling that slides between the present day and a mythic realm… A heady delight
—— Guardian, *Summer Reads of 2019*The novel draws on Shakespeare and Greek legend, and is the sort of mile-a-minute adventure you can get lost in for hours without realising
—— ShortList, *Summer Reads of 2019*[The Porpoise] confirms the sense of a gifted writer letting his talent off the leash at last… Mind-bending yet marvellously readable, it stakes Haddon’s claim to be one of the best writers in Britain right now
—— Daily Mail, *Summer reads of 2019*Haddon conveys all this with startling granularity: the stinking, seething Jacobean London traversed by the ghosts of Wilkins and Shakespeare… Haddon's novel creates, throughout, a looming sense that something very bad but not quite perceptible is in the process of unfolding: a terrible half-glimpsed fate that the characters are powerless to resist
—— Adam Smyth , London Review of BooksThe Porpoise begins as a page-turning thriller and soon shifts into something slippery and strange – but remains propulsive throughout
—— New StatesmanMark Haddon’s best novel yet. The Porpoise begins as a propulsive thriller…and segues into a classical-world adventure that reinvents the story of Pericles in prose of a hallucinatory vividness
—— Justine Jordan , Guardian, *Books of the Year*The Porpoise reworks legend with the compelling force of a thriller
—— Lindsey Hilsum , Observer, *Books of the Year*[An] exquisite retelling of Shakespeare’s Pericles
—— Claire Allfree , Daily Mail, *Books of the Year*Thrilling, dramatic and exquisitely written, The Porpoise combines myth and reality to enthralling effect
—— Jane Shilling , Daily Mail