Author:Jessica Lack
'Art is not a luxury. Art is a basic social need to which everyone has a right'.
This extraordinary collection of 100 artists' manifestos from across the globe over the last 100 years brings together political activists, anti-colonialists, surrealists, socialists, nihilists and a host of other voices. From the Négritude movement in Europe, Africa and Martinique to Japan's Bikyoto, from Iraqi modernism to Australian cyberfeminism, they are by turns personal, political, utopian, angry, sublime and revolutionary. Some have not been published in English before; some were written in climates of censorship and brutality; some contain visions of a future still on the horizon. What unites them is the belief that art can change the world.
[A] fascinating biography… Lubow has performed miracles in gleaning so much fascinating material from Arbus’s friends, colleagues and assistants
—— Lynn Barber , Sunday Times[A] Deeply researched, sometimes prurient, new biography.
—— Sean O'Hagan , ObserverLubow’s excavation of the private life of a great artist is...welcome.
—— Olivia Cole , New StatesmanIt paints a convincing picture of a lost soul.
—— Bryan Appleyard , SpectatorA fluid series of meditations on the big questions of life, on love, faith, time and on the nature and purpose of art, the influence of architecture and, most important of all to this author, grief, mourning and memory
—— SpectatorMingles insightful and often moving art history with frank personal recollection in a way that reminds us of the communality we share not only with our contemporaries, but with all historical epochs. I can think of no better expression of the humane than this economical, modest, yet altogether breathtaking book
—— New StatesmanHisham Matar is a brilliant narrative architect and prose stylist, his pared-down approach and measured pace a striking complement to the emotional tumult of his material
—— Wall Street JournalWhat interests him in this art is the human knowledge the painter is trying to convey. The description is exact and graceful, as Matar's prose tends to be
—— New York Times, 11 New Books We Recommend This WeekA Month in Siena bears all the hallmarks of Matar's writing: it is exquisitely constructed and the use of language is precise and delicately nuanced without pretension. And there is a deceptive simplicity to his endeavour: to look at art. What emerges is an altogether more complex philosophical exploration of death, love, art, relationships and time
—— Financial TimesA deeply moving, engrossing book. Written in elegant, concise prose, it is a remarkable mediation on life, loss, mourning, exile, friendship and the power of art
—— Wall Street JournalHisham Matar has the quality all historians - of the world and the self - most need: he knows how to stand back and let the past speak
—— Hilary MantelA thing of beauty and wisdom
—— MonocleA dazzling exploration of art's impact on his life and writing, and a moving contemplation of grief
—— Financial TimesAn exquisite, deeply affecting book
—— Evening StandardEverybody should get to spend a month with Mr. Matar, looking at paintings
—— Zadie SmithBewitching . . . Meditating on art, history and the relationship between them, this is both a portrait of a city and an affirmation of life's quiet dignities in the face of loss
—— The Economist, Books of the YearI can’t stop thinking about [Bluets].
—— Darci PhenixAlways beguiling, her writing is powerful, incisive and so singular that it defies categorization … raw, honest and urgent… [Nelson] always prompt me to see some aspect of life very differently.
—— Alice Rawsthorn , ObserverLast year, while recovering from a break up with a long-term partner, I carried the book with me everywhere... The way that she renders her experiences and thoughts in such vivid, aching and raw detail served as a shelter for me, and a way to articulate feelings I didn't yet have the distance or strength to put words to.
—— Zaina Arafat , Good HousekeepingBluets is an expansive, intensely poetic text about Nelson's life-long infatuation with the colour blue... in Nelson's most visceral moments of divulgence, we see a testament to love in all its inexpressibility.
—— Martha French , VarsityThe results of her [Murphy's] tireless research to us reveals, too, a fascinating picture of life in the 19th-century Province... Murphy is terrier-like in her pursuit of the facts... and didn't stop digging until she'd found the whole story
—— Fortean TimesHis enthusiasm is infectious... This is not just about one ancient industry – somehow, superbly, it's about industry itself
—— William Leith , Evening StandardCombining what is clearly a life-long love of art with an admirable depth of knowledge, Barnes brings a novelist’s eye to the gallery wall and, with this, a fresh, accessible approach to the stories being told in each painting.
—— Lucy Scholes , IndependentThought-provoking, beautifully presented, tender.
—— Rachel Joyce , ObserverBarnes has a wonderful eye for what makes a good picture, and a command of language that again and again allows readers to share what he sees.
—— Andrew Scull , Times Literary SupplementWell-informed and deeply admiring, but never didactic.
—— Prue Leith , Woman and Home[It] gave me a new confidence in how to engage with, understand and, more importantly, enjoy wandering around an exhibition.
—— Mariella Frostrup , ObserverFor those…insecure when viewing art, not always sure how to decode it or emotionally engage with it, this offers a lifeline…Utterly compelling.
—— Mail on Sunday , Mariella FrostrupA typically elegant ad absorbing book by one of t great contemporary English Writers, and with strong Gallic undertones – a wonderful set of essays about artists, many of them French, covering the period from Romanticism through to modernism.
—— Terry Lempiere , GuardianOpinionated, enthusiastic, witty and beautifully written.
—— Charlotte Heathcote , Sunday ExpressJulian Barnes is best known for his fiction...but he's also an excellent art writer... Peppered with personal insights and select historical detail, each piece is as engaging as the next
—— Millie Watson , Citizen FemmeUnusually moving.
—— William Leith , Evening Standard