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Winds of Change
Winds of Change
Dec 21, 2024 10:55 PM

Author:Peter Hennessy

Winds of Change

Following Never Again and Having It So Good, the third part of Peter Hennessy's celebrated Post-War Trilogy

'By far the best study of early Sixties Britain ... so much fun, yet still shrewd and important' The Times, Books of the Year

Harold Macmillan famously said in 1960 that the wind of change was blowing over Africa and the remaining British Empire. But it was blowing over Britain too - its society; its relationship with Europe; its nuclear and defence policy. And where it was not blowing hard enough - the United Kingdom's economy - great efforts were made to sweep away the cobwebs of old industrial practices and poor labour relations. Life was lived in the knowledge that it could end in a single afternoon of thermonuclear exchange if the uneasy, armed peace of the Cold War tipped into a Third World War.

In Winds of Change we see Macmillan gradually working out his 'grand design' - how to be part of both a tight transatlantic alliance and Europe, dealing with his fellow geostrategists Kennedy and de Gaulle. The centre of the book is 1963 - the year of the Profumo Crisis, the Great Train Robbery, the satire boom, de Gaulle's veto of Britain's first application to join the EEC, the fall of Macmillan and the unexpected succession to the premiership of Alec Douglas-Home. Then, in 1964, the battle of what Hennessy calls the tweedy aristocrat and the tweedy meritocrat - Harold Wilson, who would end 13 years of Conservative rule and usher in a new era.

As in his acclaimed histories of British life in the two previous decades, Never Again and Having it so Good, Peter Hennessy explains the political, economic, cultural and social aspects of a nation with inimitable wit and empathy. No historian knows the by-ways as well the highways of the archives so well, and no one conveys the flavour of the period so engagingly. The early sixties live again in these pages.

Reviews

Peter Hennessy writes like he talks, which produces a delightfully wandering narrative, peppered with quirky anecdotes, that surreptitiously delivers powerful insights. This is by far the best study of early Sixties Britain; one to please the masses and wow the scholars. ... Hennessy, unique among contemporary historians, understands politics from the inside out. The book is so much fun, yet still shrewd and important

—— Gerard DeGroot , The Times Books of the Year

Professor Peter Hennessy is a fine historian of late-twentieth-century Britain. He is a master of all the published sources, and his generous personality, academic distinction and unquestioned integrity have meant that he adds to them a lifetime of the confidences and insights of most of those who have actually made our history. ... So, a standing ovation for Peter Hennessy, a good man who writes very good books.

—— Chris Patten , Tablet

Hennessy is a national treasure. He is driven by a romantic, almost sensual, fascination with British history, culture, and the quirky intricacies of British democracy and the government machine. His curiosity is insatiable, his memory infinitely capacious.

—— Rodric Braithwaite , Spectator

[G]enially narrated... what makes him such a deft public historian is the way he stitches these patches of rich local colour into a narrative with the widest possible reach. ... Hennessy has such a keen associative eye and such a generous heart for the sheer oddness of everything that the narrative spins along like a comfortable chat.

—— Kathryn Hughes , Guardian

splendid history of postwar Britain... Hennessy's writing is characterised by a wonderful mixture of wit and erudition.

—— Piers Brandon , Literary Review

a deeply-informed book that has, nearly 60 years later, powerful resonance. The foremost chronicler of the era, Hennessy combines the intricate detail with stylistic verve.

—— Philip Stephens , Financial Times

This is the third in Hennessy's wonderfully insightful series of books that make up a portrait of a nation coming to terms with victory in a ravaging war and the loss of empire. Like the others - Never Again and Having It So Good - it performs a singular balancing act between social history and cabinet-room politics. No current historian is as versed as Hennessy in the internal cogs and springs of the British state, but he also has a keen eye for the luminous face of passing time.

—— Tim Adams , Observer

a masterful survey of Britain as the decade began ... For those who know him only from the radio, Hennessy is as good a writer as he is a talker. ... I am afraid that he is now a treasure.

—— David Aaronovitch , The Times

flavoursome, but authoritative, account ... This history is none the worse - quite the opposite - for being such a personal one; but it is the intense erudition underpinning Hennessy's intimate reflections that makes it so utterly indispensable.

—— Simon Heffer , Daily Telegraph

fascinating ... dominated by the author's personal enthusiasms, researches and memories

—— Max Hastings , Sunday Times

Impressive ... Taylor tells a compelling story, graced with anecdotes but driven by argument, that moves the reader to and fro between London and the Caribbean, and between aristocratic houses and anti-slavery rallies ... with fierce moral passion ... Taylor vividly evokes the slave revolts ... reveals some of the atrocities perpetrated by slave-owners ... Yet the book's primary focus is political because, as Taylor emphasises, the abolition of slavery turned to a large extent on events at Westminster ... Yet votes were not enough; bribery was also vital ... The writing of British history must encompass slave-power, not just sea-power - as Taylor's scorching book makes clear

—— David Reynolds , New Statesman

Skilfully written with a powerful and passionate narrative, this is a seminal work that carries the burden of phenomenal relevance. It shows how the enslavers' battle to protect their trophy became the most dramatic public affair in early 19th century Britain

—— Sir Hilary Beckles, Chair of the Caribbean Community Reparations Committee

As Michael Taylor demonstrates in this highly original, passionate, deeply researched and beautifully written book, opposition to slavery abolition was rooted deeply in British culture and values, which permeated the thinking of many contemporary radicals as well as conservatives. A disturbing story but a very important one

—— Boyd Hilton, Professor of Modern British History, University of Cambridge

Offer[s] [a] fresh perspective on the story of reform and challenge[s] many of the prevailing, at times self-congratulatory, narratives of abolition ... Taylor assesses how far earnings from slavery permeated British society. He names the banks, universities and industries that all benefited directly from the trade ... lessons for today

—— Kofi Adjepong-Boateng , Financial Times

This fascinating history of Britain's approach to slavery makes short work of the argument that Britain's main role in the atrocities of the slave trade was to abolish it. In debunking this argument, Taylor writes with vivid clarity about one of history's greatest crimes, introducing us to people and places that have long since been consigned to the past and yet loom over the present. Meticulously researched and timely, The Interest is a critical piece of history and a devastating exposé of a misleading colonial narrative

—— Shashi Tharoor, author of Inglorious Empire

Taylor skillfully weaves careful research, astute judgements and elegant writing into a vital new interpretation of the efforts to prevent emancipation in the British Caribbean. In doing so, he shows just how the defence of slavery was pursued as a national interest before its abolition was claimed as a national achievement

—— Dr Richard Huzzey, Durham University

Michael Taylor's The Interest is an absorbing and unsparing account of a wilfully distorted episode in British history and a vital antidote to the Rees-Moggification of the national past. As readable as it is timely, the book will appeal to the academic and the lay reader alike in contributing significantly to current reappraisals of Britain's relationship with its colonial past

—— Simon Skinner, Associate Professor, University of Oxford

One of the pleasures of teaching modern historians about ancient Rome is that they go on to write great books like this

—— Mary Beard

Reads like a murder mystery ... Taylor challenges nostalgic politicians' desire to resurrect a sanitised, 'civilizing mission' version of our imperial past, perpetuating the myth of Britain as an anti-slavery nation

—— Colin Grant , Writers Mosaic

[An] excellent new book... The scale of what the abolitionists were up against is only now becoming clear ... Taylor's book is one of the few studies to give it equal time

—— London Review of Books
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